Singing lessons near me in Tampa, FL

Carrington Johnson coached "cc" on vocal exercises and song performance, specifically working on breath control and pronunciation for "Somewhere Over the Rainbow." "cc" received real-time feedback and practiced techniques to improve vocal delivery and lung capacity. Carrington will send "cc" audio examples of pronunciation, and they scheduled a follow-up session to continue lung exercises and vocal training.

Daniela Villa provided Jahkeel Reef with a vocal lesson focused on controlling vocal brightness and darkness to eliminate raspiness, especially in the higher register. Jahkeel practiced exercises like "bubbles" and vowel manipulation, and applied these techniques to the song "10,000 Hours." Daniela gave feedback on Jahkeel's posture, tongue placement, and mouth position, aiming for a smoother and more controlled sound.

Angelica Hodgson led Eleanor Nguyen in a singing lesson that included vocal warm-ups, scale practice, and work on two songs: "California Girls" and "Times Are Hard For Dreamers." Eleanor received specific feedback on breath control, vocal transitions, and diction. Angelica assigned practice exercises focusing on belting, diction speed, and memorizing "Times Are Hard For Dreamers."

Ebony J. and Seema worked on vocal warm-ups, vocal space, and alignment, and practiced singing "Lavender's Blue" and "Do-Re-Mi." Seema showed better pitch accuracy with "Do-Re-Mi." Ebony J. assigned "Do-Re-Mi" as homework and will search for playable versions of Seema's preferred songs for future lessons; their next session is scheduled for Friday at 3:30.

Martina Galli and Catherine Callahan discussed Catherine's recent open mic experience and then focused on vocal exercises, specifically the lip trill, to connect with the core muscles while maintaining relaxation. They also briefly addressed a grammar point regarding "there is" versus "there are." They plan to explore jazz improvisation in future sessions.

Thom Isaacs coached David Arnold on vocal techniques in preparation for a potential Eurovision performance. The session covered "yawn posture," dynamic control, phrasing, transitions, and pronunciation. They analyzed specific songs and planned to review the original artist's performance for further refinement.