Guitar lessons near me in San Francisco, CA
Unlock your musical potential with expert guitar teachers
Acoustic, electric, and classical guitar lessons offered in San Francisco

Students recently completed diverse guitar lessons near San Francisco
Students from Sunset, Mission District, and Bayview book guitar lessons regularly
David taught 10 days ago
The Student and Tutor worked on guitar techniques, including hammer-ons and pull-offs, and applied them to the song "Stairway to Heaven". The student also learned new chords for the Brazilian song "Opato" and practiced transitioning between them. The assigned homework is to practice the A section of "Opato" on a loop.
Hammer-ons and Pull-offs
Applying Minimal Necessary Strength
Metronome Practice for Rhythm
Chord Voicings and Tensions
Dominant Chords
Lluis taught 17 days ago
The student and tutor worked on chord transitions, explored drum machine options, and discussed recording techniques using an audio interface. They covered microphone types and signal processing. The student plans to practice chord changes and continue working on their song, with the tutor offering to create custom drum loops if needed.
Chord Changes: A Minor to D Minor
Drum Machines: Corg Mini Rhythm
Audio Interfaces & Gain Staging
Microphone Types: Condenser
Dynamic
Ribbon
Latency and Sample Rate
Music Equipment Endorsements
Ruby taught 27 days ago
The Student practiced rhythm exercises and chord transitions, then began learning the pentatonic scale. The Student worked on transposing the scale to different starting points on the fretboard. The Tutor assigned practicing the pentatonic scale with a metronome at 70 BPM for the next session.
Applying Pentatonic Scale to Different Frets
Tonic and Semitones
Pentatonic Scale Introduction
Bar Chord Technique
Rhythm Exercises with 'Fruits'
Major vs. Minor Chords
Jason taught about 1 month ago
The Student practiced guitar scales and soloing techniques, focusing on the five-string pentatonic and incorporating the minor scale. They also explored open chords and fingerpicking exercises on the acoustic guitar. The session included learning about drop D tuning and its application in blues, with a plan to explore Dorian, Phrygian, and other modes in future lessons.
Mixing Minor Scale with Pentatonic
Five String Minor Pentatonic Shapes
Finding Backing Tracks for Practice
Thumb-Based Picking Technique
Open Chord Voicings
Five-String Pentatonic Scale
Bruno taught about 1 month ago
The session focused on guitar techniques, including chord transitions, strumming patterns, and percussive elements. The student practiced pieces like 'Madrilenia' and 'Scarborough Fair,' and received instruction on E, A, C6, and G7 chords. The tutor suggested 'Hair Daylight' as a practice song, providing a PDF with finger-picking patterns, and recommended reading about G7 chords.
Connecting Notes and Measures in Malagueña
Right-Hand Technique: Thumb Movement and Apagado
Chord Transitions: Anticipation and Finger Placement
C6 Chord and Arpeggios
Fingerpicking Patterns and Coordination
Raine taught about 1 month ago
The Student practiced strumming patterns and chord transitions, focusing on the relationship between rhythm and chord changes. The tutor introduced the use of a metronome for improving timing and the concept of creating riffs from melodies. The student will receive an email outlining next steps.
Guitar Tuning and D String Correction
Chord Transitions: E Major to A Major
Strumming Patterns: Down-Up Rhythm
Understanding the Metronome
Quarter
Eighth and Sixteenth Notes
Recognizing and Creating Strumming Patterns
Chicken Fried Chord Progression and Strumming
More for guitar students exploring music in San Francisco
Master music with expert lessons in Tallahassee
Beyond the Screen: Harsha's Analog Groove in San Francisco Tech
Mapping the Fretboard: Code Meets Chords
Harsha, deeply immersed in San Francisco's buzzing tech world, often spent her days navigating complex code and digital landscapes. Yet, after hours spent in a SoMa startup office, or commuting back to her flat in Noe Valley, she craved a different kind of challenge – something tactile, intuitive, a "new gig" that resonated beyond a screen. That's where the guitar came in, a path to finding a different kind of flow. She found Giacomo on Wiingy, her guitar teacher, to guide this new venture.
Starting guitar for Harsha was like learning a new operating system, but for her fingers. Giacomo began by demystifying the fretboard itself. She didn't just memorize shapes; she started to identify all natural notes from the first to fifth frets, understanding the logic of where every A, F, and C sat. This felt a bit like debugging, understanding why an F sharp belonged in a G major scale. Giacomo broke down major chord construction – the root, third, and fifth – helping her grasp the "architecture" of a C, D, or E major. She even started to read the "syntax" of tabs for "Stairway to Heaven," connecting those visual patterns to actual sound. It was about translating musical data into tangible notes, building foundational muscle memory for her fingers.
Debugging the Melody: Shaping Sound with Precision
As Harsha progressed, the focus shifted from just hitting notes to refining their delivery. Giacomo guided her through the intricacies of playing a Billy Joel song, emphasizing that every finger placement mattered, just like precise lines of code. She tackled barre chord technique, learning to use arm weight rather than just hand grip for that clean, full sound – a true efficiency hack for her playing. Understanding thirds intervals became key, seeing how they build harmony and give chords like those in "Piano Man" their distinct character. Giacomo also helped her visualize chord patterns across the fretboard, treating them like movable components she could deploy anywhere
Music Takes Hold: Harsha's Sound in the City
With her foundation solidifying, Harsha's guitar playing began to truly transform, moving beyond exercises to genuine expression. Giacomo introduced her to sophisticated concepts like chromatic runs, opening up new avenues for smooth, flowing transitions that felt surprisingly organic. She also delved into the rich character of ninth chords, appreciating how these shapes added complexity and depth to the familiar 12-bar blues progressions. Mastering the triplet feel became key, allowing her to infuse her playing with that distinctive, soulful blues swing – a satisfying counterpoint to the structured logic of her workday. Giacomo also shared the powerful "BB King box" for improvisation, giving her a simple yet effective tool for crafting heartfelt solos. Harsha now finds herself effortlessly locating 1-4-5 chords across the fretboard and practicing call-and-response in her improvisations, making her guitar feel like a true conversational partner. This deeper connection isn't just about honing musical skills; it’s about finding a fulfilling creative release that resonates with her San Francisco life, a city always buzzing with innovation, whether it's in a tech lab or a vibrant Hayes Valley music spot.
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