Chandler Rosenzweig
Berklee graduate looking for students on guitar and electric bass regardless of age or style.
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Chandler Rosenzweig
Bachelors degree
/ 55 min
Chandler - Know your guitar teacher
Salutations future Rock and Rollers of the world, my name is Chandler Rosenzweig (she/her/hers). I am a guitar instructor living in Boston, Massachusetts though I am originally from of Long Island, New York. I am a recent graduate of Berklee College of Music with a Bachelors of Arts in Contemporary Writing and Production and I am here to help you hone your craft on guitar. It does not matter if you want to learn: how to shred like Eddie Van Halen on electric guitar, do some bluegrass finger picking on acoustic like Billy Strings, classical, even bass guitar, If you want to learn it, I can teach it to you. I am a very versatile musician here to help you learn what you want to learn. I have over five years of teaching experience on multiple instruments, in multiple styles with multiple age ranges. I often try to use the students' interests in and outside of music to incorporate the musical fundamentals such as (sight) reading sheet music, chord diagrams, tablature, playing by ear and even music theory/ear training but still make it fun, engaging and interesting. I am here to take your skills and your performance to the next level. Sign up for some lessons with me to take your playing from elementary to ELECTRIFYING!
Chandler graduated from Berklee College of Music
Your guitar teacher expertise
Ear training
Chord Progressions
Guitar Techniques
Strumming and Picking Techniques
Fingerstyle
CoTutorAI modules
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Learner for guitar lessons
Guitar for kids
Guitar for advanced
Guitar for intermediate
Guitar for beginners
Guitar for adults
Types of guitar lessons
Guitar
Acoustic Guitar
Electric Guitar
Classical Guitar
Bass Guitar
Guitar concepts taught by Chandler
Student and Tutor reviewed the student's progress on "Schism" and then focused on fundamentals of riff construction. They explored the 12-bar blues structure, discussing chord theory and analyzing blues examples from B.B. King and Stevie Ray Vaughan. Student was assigned to practice applying these blues concepts to specific songs and to develop their own riffs.
The Emotional Core of Blues Music
Diatonic and Chromatic Movement in Basslines
Blues Chord Voicings: Major Triads and Dominant 7ths
12 Bar Blues Structure
Principles of Effective Blues Riff Construction
Navigating Musical Transitions
Understanding Musical Timing and Subdivisions
Bass Guitar Techniques: Pick vs. Fingerstyle
Guitar Tuning and Alternate Tunings
Rhythmic Complexity in Progressive Music
The tutor and student worked on challenging guitar sections involving complex rhythms and transitions. They discussed practical strategies for counting sixteenth notes and understanding different time signatures, with the student tasked with practicing these concepts and analyzing song counts for homework.
Understanding Musical Meter and Time Signatures
Rhythmic Subdivisions and Counting
Guitar Techniques: Hammer-ons
Pull-offs
and Slides
The Tutor guided the Student in learning to play the bass guitar part for Pink Floyd's "Pigs (Three Different Ones)". They analyzed the bass tab, focused on rhythmic accuracy, and discussed specific playing techniques. The Student plans to practice the solo and chorus transitions before the next session.
Rhythmic Notation and Timing
Muting Techniques in Bass Playing
Understanding Dotted Notes and Note Duration
Developing Peripheral Vision for Fretting Hand
Tablature Interpretation
The Student and Tutor focused on practicing slap bass techniques, particularly octaves and specific song sections. They worked on isolating difficult parts, refining slap and hammer-on techniques, and maintaining rhythm through longer passages. The Tutor advised the Student to continue practicing slowly to build muscle memory and consistency.
Strategic Practice: Isolation and Gradual Tempo
Slap Bass Techniques: Octaves and Ghost Hits
Rhythmic Precision and Articulation
Maintaining Practice Flow: Playing Through Mistakes
Ergonomics and Physical Well-being in Bass Playing
Student and Tutor continued their work on bass guitar, focusing on slap technique, including slaps, pops, ghost notes, and hammer-ons. They practiced these techniques using a specific song, and also discussed how to make slap lines more melodic. Additionally, they analyzed chord progressions and explored methods for transitioning between sections in the Student's original musical riffs, with homework assigned to practice slap techniques and incorporate transitions into their compositions.
Slap and Pop Bass Fundamentals
Ghost Notes for Rhythm and Texture
Hammer-ons in Slap Bass
Crafting Melodic Slap Lines
Music Composition: Structuring Bass Riffs
Learning tools used in guitar classes
Metronome Apps
DAWs
Chord Diagram Apps
PDF Sheet Music
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