Kelsey Milian

Experienced Ethnomusicologist and Educator Bridging Music, Identity, and Learning

4.8(32)

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Kelsey Milian

Masters degree

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Each lesson is 55 min

50 lessons


20% off

/ lesson

30 lessons


15% off

/ lesson

20 lessons


10% off

/ lesson

10 lessons


5% off

/ lesson

5 lessons


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/ lesson

1 lessons


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/ lesson

Kelsey - Violin teacher

Hello everyone, my name is Kelsey Milian Lopez, and I am a PhD candidate in Ethnomusicology at the City University of New York Graduate Center. My research explores how music connects to language, identity, and culture, particularly among Indigenous and Latin American communities. I earned my Master of Arts in Ethnomusicology from CUNY and my Bachelor of Arts in Sociology and Education from Furman University, where I focused on bilingual and multicultural learning. I have taught a variety of college courses at Brooklyn College, including introductory classes in music and general education that help students navigate their first year of university life. My teaching philosophy centers on creating inclusive, engaging classrooms where every student feels that their background and voice matter. I enjoy connecting theory with real-world examples and often incorporate multimedia, sound, and discussion-based learning to make material relevant and dynamic. Beyond the classroom, I have also facilitated workshops for undergraduate leadership programs and community initiatives that bring together music, storytelling, and cultural exchange. Teaching, for me, is about helping students recognize their own creative and intellectual potential while connecting what they learn to the world around them.

Kelsey graduated from City University of New York (CUNY) The Graduate Center

Kelsey graduated from City University of New York (CUNY) The Graduate Center
Kelsey graduated from City University of New York (CUNY) The Graduate Center

Expertise of the violin teacher

Music theory icon

Music theory

Vibrato and Intonation icon

Vibrato and Intonation

Posture and Hand Position icon

Posture and Hand Position

Sight Reading icon

Sight Reading

Ear training icon

Ear training

Finger Placement and Scales icon

Finger Placement and Scales

Violin Repertoire icon

Violin Repertoire

Student types for violin lessons

Violin for intermediate icon

Violin for intermediate

Violin for kids icon

Violin for kids

Violin for adults icon

Violin for adults

Violin for advanced icon

Violin for advanced

Violin for beginners icon

Violin for beginners

Violin lessons overview

As an educator, I strive to make learning understandable, engaging, and inclusive for all students. My teaching philosophy is built on clarity, accessibility, and connection. I believe that students learn best when they can see how new ideas relate to their own experiences and the world around them. To make complex material more understandable, I use multiple teaching methods that address different learning styles. I combine lectures with visual presentations, guided discussions, group activities, and short reflective writing assignments. For example, when teaching about music and culture, I often use sound recordings, videos, and live demonstrations to help students hear and see the concepts we discuss. This multimodal approach allows students to connect theory with practice. I also emphasize scaffolded learning—breaking larger ideas into smaller, manageable steps. Each class builds on the previous one, with opportunities for review and application. I check for understanding frequently through open discussion and low-stakes assessments, such as short reflections or group exercises, rather than relying only on formal exams.

Types of violin lessons

Violin

Violin

Classical Violin

Classical Violin

Electric Violin

Electric Violin

Acoustic Violin

Acoustic Violin

Student Violin

Student Violin

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Violin concepts taught by Kelsey

Student learned 4 days ago

The Student practiced scales with specific bowing techniques and started learning an excerpt from "Jupiter" by Gustav Holst. They focused on note accuracy, rhythm, and proper finger placement, particularly with the fourth finger. The Tutor plans to send a link to the full "Jupiter" symphony and a metronome link for practice.

String Crossing and Note Relationships

Fourth Finger Technique and Application

Rhythm and Note Duration

Finger Placement and Scale Practice

Bow Distribution and Slurring Technique

G Major Scale with Slurs

Piece Performance and Note Recognition

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Student learned 4 days ago

The student practiced violin scales, octaves, and arpeggios, focusing on improving bow hold, bowing technique (pendulum motion), and finger placement. The session also included exercises on bow distribution, differentiating between staccato and legato bowing, and applying these techniques to a specific song, with plans to continue working on the song in the next class.

Bow Hold and Movement

String Transitions and Finger Placement

Bow Distribution and Articulation

Arpeggios and Memorization

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Student learned 6 days ago

The session focused on violin practice, including scales, arpeggios, and exercises from the Essential Elements book, and working on a concerto. The student practiced bowing techniques, rhythm, and finger placement. Homework includes practicing the scales and concerto segments with a metronome.

Scale Practice for Dexterity and Speed

Bow Distribution for Slurred Eighth Notes

Isolating String Crossing Passages for Fluidity

Addressing Tension and Nervousness

Interpreting Musical Markings (Piano

Forte

Mezzo Forte)

Rhythmic Accuracy and Note Duration

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Student learned 8 days ago

The Student practiced bow holding, tuning the violin, and finger placement on the G and D strings. The session involved exercises to improve bow control and finger dexterity, with a focus on achieving correct intonation. Homework includes practicing scales and bowing techniques with the correct arm and wrist positioning on each string.

Bow Angle and String Crossing

Finger Placement on the D and A Strings

Bowing Technique and Note Duration

Violin Tuning with Pegs and Fine Tuners

Bow Hold and Pinky Control

Bow Hair Tension

Finger Placement and Dexterity on G String

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Student learned 11 days ago

The session covered scales, arpeggios, and the initial stages of learning a new song on the violin. The Student practiced D major scales and G major arpeggios, then started learning a new piece in G major, focusing on rhythm and finger placement. Homework includes practicing the stretch exercise and continuing to work on the new song.

D Major Scale and Arpeggio

Sheet Music Analysis: G Major Key

Rhythm and Note Duration

String Specificity and Bow Placement

Third and Fourth Finger on E String

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Student learned 11 days ago

The session involved violin practice covering scales, arpeggios, and sight-reading a new piece. The student worked on bow control, rhythm accuracy, and note identification. The tutor assigned practicing the piece with a metronome at 90 bpm as homework.

Dynamics and Tempo

Introducing Fourth Finger

Rhythm and Note Recognition in Sheet Music

Bow Hold and Rhythm Exercises

G Major Scale (Two Octaves)

G Major Arpeggio and Bow Distribution

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Teaching tools used in vioin classes

DAWs image

DAWs

Metronome Apps image

Metronome Apps

Fingerboard Chart & Position Apps image

Fingerboard Chart & Position Apps

Looping Software image

Looping Software

Violin Tuner Apps image

Violin Tuner Apps

Virtual Violin Apps image

Virtual Violin Apps

Engaging violin lessons

Record lessons icon

Record lessons

Open Q&A icon

Open Q&A

Weekend lessons icon

Weekend lessons

Mobile joining icon

Mobile joining

Pets are welcomed icon

Pets are welcomed

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