Garret Fernandez
Piano Lessons with Specialized Instruction from University of Jamestown Educator




Piano lessons - Garret Fernandez
Bachelors degree
/ 30 min
Garret - Your piano teacher
Teaching piano is more than just a profession for me — it’s a lifelong passion and a way to share the joy, beauty, and depth of music with others. I bring kindness, patience, and years of experience to every lesson, and I strive to create an environment where students of all ages and backgrounds feel supported, inspired, and truly heard. I’ve had the privilege of working with hundreds of students ranging in age from 3 to 80. Each person comes with their own story, learning style, and musical goals, and I believe in meeting every student exactly where they are. Whether you're playing your very first note or returning to the piano after many years away, I’m here to help you grow at your own pace and in your own direction. I am classically trained and deeply in love with the music of the Classical, Romantic, Impressionistic, and Modern eras. My teaching draws from this broad range of styles, and I often help students explore the expressive language of composers like Bach, Beethoven, Chopin, Debussy, Ravel, Prokofiev, and many more. My lessons go beyond technique — I aim to help students develop a sensitive ear, a deep understanding of musical structure, and a connection to the emotional world of the music. If you’re looking for a teacher who is experienced, gentle, supportive, and deeply committed to helping you grow as a pianist and musician, I’d love to work with you. Whether your goal is to master the classics, write your own music, or simply enjoy playing for yourself and others, I’m here to guide and encourage you every step of the way. Let’s begin this musical journey together.
Garret graduated from University of Jamestown


Piano lessons at a glance
My teaching style is rooted in clarity, patience, and a deep respect for each student's individual learning path. I approach piano instruction with the belief that every student deserves a strong technical foundation, a comprehensive understanding of music theory, and the encouragement to develop their own musical voice. At the core of my teaching is a commitment to building solid technique. From the very first lesson, I emphasize posture, hand position, finger strength, and freedom of movement. I believe that good technique is not just about playing faster or more accurately—it’s about physical comfort, expressive potential, and long-term health at the piano. I help students become aware of how they use their bodies while playing and guide them toward efficient, relaxed movement. Scales, arpeggios, chords, and etudes are essential tools in my curriculum, but I make sure they are not practiced in isolation. Instead, I show students how these elements connect directly to the pieces they’re working on. Theory is woven into every aspect of my teaching. Rather than treating it as a separate subject, I integrate it into our work with repertoire, technique, and improvisation. Whether we’re looking at a Mozart sonata or a modern composition, I guide students to recognize patterns, harmonic progressions, formal structure, and motivic development. Understanding the architecture of a piece helps students memorize more easily, play with greater confidence, and make more informed interpretive decisions. Above all, I want my students to develop a lifelong relationship with music—one that includes curiosity, discipline, expression, and joy. I meet each student where they are and support them every step of the way.
Your piano teacher skills
Pedaling Techniques
Chord Theory
Piano Repertoire
Scales and Arpeggios
Ear training
Performance Skills
Improvisation
Sight Reading
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano
Electric Keyboard

Piano concept taught by Garret
During their piano lesson, Garret guided Jonathan through chord exercises, inversions, and rhythm practice, utilizing "Scar Bro Fire" and "Amazing Grace." Jonathan focused on extended chord positions and was introduced to tonicization and dominant chords. Garret assigned chord exercises and a modern piece by Yon Tearson for their next lesson in two weeks.
Extended Chords
Rhythmic Offsetting
Tonicization
Dominant 7th Chords
Chord Inversions (Extended)
During their piano lesson, Garret and CatBoyRenFu concentrated on rhythm and counting, applying these skills to 'Russian sailor dance' and 'Boogie on Broadway'. CatBoyRenFu also dedicated time to practicing scales, reviewing sharps and flats, and exploring legato and rests. For continued practice, Garret recommended scales with a metronome and faster counting for 'Boogie on Broadway'.
Sharp (#)
Flat (b)
Tie (Legato)
Half Rest
Steady Rhythm
Garret and a piano student focused on their lesson, covering rhythm, tempo, time signatures, and key signatures. The learner, who lives in Southside, worked on the "Mexican Hand Clapping Song" and the "Can-Can," and practiced the F scale and chord inversions with a metronome. For their next lesson, they were assigned to practice the "Mexican Hand Clapping Song" and Scarborough Fair (page 135).
Chord Inversions
Half Steps in Composition
Deceptive Cadence
Relative Minor
Diminished Chords
Subdivision
Time Signature (3/4)
Tempo vs. Rhythm
During a recent lesson, two individuals worked on scales, musical symbols, and chord construction. One of the learners, who resides in West Fresno, focused on practicing the F scale, learning about sharps and flats, and starting the song 'Lead on Black Horse'. The instruction emphasized techniques like legato, staccato, and highlighting the first beat of each measure. For continued progress, the student received advice to practice the new song, paying close attention to finger placements and musical symbols.
Strong Ones (Rhythmic Emphasis)
E Major Chord
Staccato vs. Legato
Sharp (#) Symbol (Accidental)
Octave
F Scale
During their recent music lesson, Garret and Jonathan reviewed chord progressions, dynamics, and rhythm, utilizing Jonathan's own compositions and assigned pieces from a music book. Jonathan dedicated time to practicing techniques for controlling dynamics and accurately counting rhythms. To reinforce these concepts and prepare for their next lesson, Garret assigned specific pieces from the book, found on pages 113 and 120.
Diatonic Chord Progressions
Chord Inversions
Dynamic Echo Effect
Hand Independence & Balance
Key Signatures (Flats)
In Tampa, Garret worked with Jonathan on piano, covering a range of topics. Their lesson focused on scales, including the B scale, dynamics in a French song, and a waltz, where they emphasized counting, rhythm, and chord recognition. Jonathan was assigned 'Cafe Vienna' (page 94) for practice, with a particular focus on counting and dynamics. Garret also offered to review any original piano compositions Jonathan has written.
B Major Scale Fingering (Left Hand)
G7 Chord Dissonance
Waltz Bass Pattern
Reading by Intervals
Exaggerated Dynamics Practice
Types of learners for piano lessons
College
All levels
School
Adult/Professionals
Interactive piano lessons
Parent feedback
Chat for quick help
Open Q&A
Mobile joining
Pets are welcomed
Approach & tools used in piano classes
Piano Tuner Apps
Ear Training Software
Looping Software
PDF Sheet Music Libraries
DAWs
Metronome Apps
Free lesson slots
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