Garret Fernandez
Piano Lessons with Specialized Instruction from University of Jamestown Educator




Piano lessons - Garret Fernandez
Bachelors degree
/ 30 min
Garret - Your piano teacher
Teaching piano is more than just a profession for me — it’s a lifelong passion and a way to share the joy, beauty, and depth of music with others. I bring kindness, patience, and years of experience to every lesson, and I strive to create an environment where students of all ages and backgrounds feel supported, inspired, and truly heard. I’ve had the privilege of working with hundreds of students ranging in age from 3 to 80. Each person comes with their own story, learning style, and musical goals, and I believe in meeting every student exactly where they are. Whether you're playing your very first note or returning to the piano after many years away, I’m here to help you grow at your own pace and in your own direction. I am classically trained and deeply in love with the music of the Classical, Romantic, Impressionistic, and Modern eras. My teaching draws from this broad range of styles, and I often help students explore the expressive language of composers like Bach, Beethoven, Chopin, Debussy, Ravel, Prokofiev, and many more. My lessons go beyond technique — I aim to help students develop a sensitive ear, a deep understanding of musical structure, and a connection to the emotional world of the music. If you’re looking for a teacher who is experienced, gentle, supportive, and deeply committed to helping you grow as a pianist and musician, I’d love to work with you. Whether your goal is to master the classics, write your own music, or simply enjoy playing for yourself and others, I’m here to guide and encourage you every step of the way. Let’s begin this musical journey together.
Garret graduated from University of Jamestown


Piano lessons at a glance
My teaching style is rooted in clarity, patience, and a deep respect for each student's individual learning path. I approach piano instruction with the belief that every student deserves a strong technical foundation, a comprehensive understanding of music theory, and the encouragement to develop their own musical voice. At the core of my teaching is a commitment to building solid technique. From the very first lesson, I emphasize posture, hand position, finger strength, and freedom of movement. I believe that good technique is not just about playing faster or more accurately—it’s about physical comfort, expressive potential, and long-term health at the piano. I help students become aware of how they use their bodies while playing and guide them toward efficient, relaxed movement. Scales, arpeggios, chords, and etudes are essential tools in my curriculum, but I make sure they are not practiced in isolation. Instead, I show students how these elements connect directly to the pieces they’re working on. Theory is woven into every aspect of my teaching. Rather than treating it as a separate subject, I integrate it into our work with repertoire, technique, and improvisation. Whether we’re looking at a Mozart sonata or a modern composition, I guide students to recognize patterns, harmonic progressions, formal structure, and motivic development. Understanding the architecture of a piece helps students memorize more easily, play with greater confidence, and make more informed interpretive decisions. Above all, I want my students to develop a lifelong relationship with music—one that includes curiosity, discipline, expression, and joy. I meet each student where they are and support them every step of the way.
Your piano teacher skills
Ear training
Chord Theory
Sight Reading
Scales and Arpeggios
Piano Repertoire
Piano Technique
Improvisation
Performance Skills
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano
Electric Keyboard

Piano concept taught by Garret
In Tampa, Garret worked with Jonathan on piano, covering a range of topics. Their lesson focused on scales, including the B scale, dynamics in a French song, and a waltz, where they emphasized counting, rhythm, and chord recognition. Jonathan was assigned 'Cafe Vienna' (page 94) for practice, with a particular focus on counting and dynamics. Garret also offered to review any original piano compositions Jonathan has written.
B Major Scale Fingering (Left Hand)
G7 Chord Dissonance
Waltz Bass Pattern
Reading by Intervals
Exaggerated Dynamics Practice
CatBoyRenFu guided a piano lesson with a learner from Cicero, where they explored the nuances of staccato and legato, worked on developing a feel for the keys without looking, and practiced the B scale. The "Forest Song" was also a central part of the lesson, with a focus on rests, dynamics, and recognizing steps and skips between notes. The learner was assigned to practice the "Forest Song" without looking at their hands and to continue practicing scales, including the B scale.
Staccato vs. Legato
Reading Notes (Steps vs. Skips)
Scale Pattern (Fifths)
Rests (Half and Whole)
Playing Without Looking at Hands
Dynamics (Growing Louder/Quieter)
During a piano lesson, Garret introduced CatBoyRenFu (Ren) to the E scale and reviewed proper hand technique. Ren also began learning the song 'Lightly Row,' focusing on note reading, counting, and staccato. For homework, Garret assigned Ren to practice counting, looking at the notes, and working on playing some notes louder than others in 'Lightly Row.'
Order of Sharps
Reading Notes vs. Finger Numbers
Playing Dynamics with Hand Weight
Curved Fingers for Scales
Garret and Ren dedicated their piano lesson to refining fundamental skills and musicality. Their practice encompassed scales—specifically C, G, D, and A—alongside technical aspects like finger curvature, thumb placement, and pedal use. They also delved into two pieces: 'Lonely Pine,' where they focused on dynamics and counting, and 'Liliza Jane.' Ren has set a goal to increase the tempo of 'Liliza Jane' to 120 bpm using a metronome and will continue to hone his scale practice with particular attention to hand position.
Scales
Repeated Notes
A Scale
F Chord
Metronome Use
Thumb Position
Garret Fernandez guided CatBoyRenFu in a piano lesson that delved into scales, posture, and pieces including "Classic Dance," "Haunted Mouse," and "The Lonely Pine." The instruction covered counting, dynamics, note reading, and effective use of the sustain pedal. For homework, CatBoyRenFu was tasked with practicing without pauses between measures, with a strong focus on dynamics, though travel plans might limit their practice time.
Metronome Use
New Position
Finger Numbers
Dynamics - F and P
Ties
Counting and Rhythm
Note Reading - All Cows Eat Grass
Note Reading - FACE
Garret and Alex reviewed piano basics, including note reading, chords, and rhythm, using "Jingle Bells" and "Brother John." Alex practiced arpeggios and chord shapes, while troubleshooting keyboard issues. Garret assigned PDFs for practice, including "Brother John" and another song for note reading, and suggested a book for Alex to order.
C Major
Counting
Arpeggios
Note Reading
Measures and Beats
Types of learners for piano lessons
College
School
Adult/Professionals
All levels
Interactive piano lessons
Note taking
Weekend lessons
Record lessons
Chat for quick help
Mobile joining
Approach & tools used in piano classes
Metronome Apps
Piano Tuner Apps
Ear Training Software
Virtual Piano Apps
Backing Track Libraries
PDF Sheet Music Libraries
Free lesson slots
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