Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Music theory icon

Music theory

Piano Repertoire icon

Piano Repertoire

Scales and Arpeggios icon

Scales and Arpeggios

Performance Skills icon

Performance Skills

Sight Reading icon

Sight Reading

Piano Technique icon

Piano Technique

Chord Theory icon

Chord Theory

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Podcast

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Learnings

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Types of learners for piano lessons

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Piano for intermediate

Piano for adults icon

Piano for adults

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Piano for advanced

Piano for beginners icon

Piano for beginners

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Piano for kids

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 20 hours ago

Student and Tutor worked on Piano Piece #5, focusing on new right-hand movements, fingerings, and hand position shifts. They practiced specific techniques for transitions, including wrist pivoting and coordinated note releases. The Student was assigned to identify notes for the second part of Piece #5 and practice Piece #5 (right hand) and Opus 802, Number 3.

Adapting to Shifting Five-Finger Positions

The Critical Role of Fingerings

Moving Beyond the Five-Finger Position

Dynamic Hand & Wrist Movement

Sequential Finger Release for Smooth Transitions

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Student learned 2 days ago

The Student and Tutor engaged in a piano lesson, reviewing Opus 802, number 2, where they practiced identifying musical patterns, improved chord-playing technique, and reinforced note reading skills by identifying specific intervals. For follow-up, the Student was assigned to practice Opus 802, number 3 independently and complete a note-naming exercise for Opus 599, number 5, submitting a photo of their work.

Structured Practice & Progress Tracking

Balancing Fingering & Note Naming

Note Reading Strategy: G Line (Treble Clef)

Clean Chord Playing Technique

Simplifying Complex Musical Patterns

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Student learned 2 days ago

The Student and Tutor practiced various piano pieces, including Opus 802, No. 15, Opus 158, and a new piece from Opus 500, focusing on advanced fingering techniques, hand coordination, and musical interpretation. They discussed new practice strategies like breaking down sections into two-bar segments and efficient hand positioning. The next session will review Opus 299 and Opus 599, No. 22, with a plan to consolidate learned techniques for future studies.

Efficient Practice & Structural Analysis

Advanced Finger Technique & Tamber Control

Hand Positioning & Movement Economy

Rhythmic Independence & Musical Interpretation

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Student learned 4 days ago

The Student and Tutor focused on foundational piano theory, reviewing treble clef note identification, particularly the G line, and distinguishing between musical steps and skips. The Student practiced identifying and playing notes on the piano based on these concepts and began reading a piece, addressing a tendency to rely on finger numbers over note names. For homework, the Student will label steps, skips, and G notes within the practiced piece and prepare to combine both hands for the next session.

Practical Application: Analyzing a Piece

Reading Musical Direction (Ascending & Descending)

Differentiating Line and Space Notes

Understanding Steps and Skips

Treble Clef G Line Mastery

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Student learned 5 days ago

Student and Tutor engaged in a piano lesson, focusing on technical exercises from Opus 802 and Opus 599, as well as a ragtime piece. They practiced left-hand chord internalization, right-hand five-finger position, articulation, and rhythmic precision. The Student was assigned to continue practicing Opus 802 number 10, Opus 599 number 13, and the original ragtime piece, with an emphasis on individual hand practice and then combining them confidently for the B section.

Opus 802 Etudes: Slow Practice & Progression

Czerny Op. 599

No. 13: Left Hand Chord Internalization

Czerny Op. 599

No. 13: Right Hand Five-Finger Position

Original Rags: Left Hand Stride & Sectional Preparation

Original Rags: Right Hand Syncopation & Rhythmic Precision

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Student learned 5 days ago

The session focused on piano technique and repertoire. Student reviewed Czerny Etudes (Op. 365 and Op. 299) and was introduced to a new Czerny study plan focusing on specific opus numbers to develop comprehensive skills, starting with Op. 335, No. 1. They also worked on a Chopin Waltz, focusing on musicality and phrasing, with a plan to record pieces for upcoming exams by late November.

Deliberate Practice for Technical Mastery

Voicing and Left-Hand Technique in Etudes

Czerny's Comprehensive Etude System

Cultivating Independent Artistic Interpretation

Nuance in Tempo and Dynamic Markings

Expressive Phrasing and Rubato

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Approach & tools used in piano classes

Metronome Apps image

Metronome Apps

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

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Virtual Piano Apps

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Ear Training Software

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Chord & Scale Reference Apps

Interactive piano lessons

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Note taking

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Open Q&A

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Parent feedback

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Chat for quick help

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Record lessons

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