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Student and Tutor worked on music theory concepts, specifically focusing on identifying and counting fourth and fifth intervals. They also reviewed accidentals (sharps, flats, and naturals) and discussed the rule governing their application within a measure. Homework was assigned from pages 26-31, covering these topics.

Student and Tutor continued their work on piano pieces, specifically "365 number 47" and a Chopin Waltz. They concentrated on refining technical aspects such as trills, dynamics, timing, phrasing, and the execution of grace notes and rubato. The Student is assigned to progress to the third section of "365 number 47" and will receive new repertoire suggestions, in addition to reviewing an older piece, for the next session.

The Student and Tutor focused on refining piano technique, specifically wrist motions and economical fingering patterns, within Czerny's exercises. The Student practiced developing tactile awareness of the keyboard through eyes-closed exercises and worked on specific technical challenges in Opus 802 and Opus 599. They discussed upcoming exercises and the Tutor advised the Student to mark recurring issues directly on their score for focused practice.

The demo piano lesson focused on the Tutor's pedagogical approach, which prioritizes a deep understanding of music theory and technique using 19th-century studies by Carl Czerny. The Student's goals, practice commitment, and initial learning materials (Czerny Opus 599 and 802) were discussed, along with the importance of ergonomics and sheet music editions. Educational follow-up includes acquiring specific Czerny method books and beginning basic note reading.

Student and Tutor worked on piano technique and musicality across three pieces: Etude 365, No. 2; Etude 335; and the Waltz (692). They focused on fingering efficiency, wrist movement, legato phrasing, and dynamic control. The Student is tasked with applying specific techniques for each piece and will dedicate more time to the Waltz in the next session.

The Student and Tutor worked on piano technique and specific pieces, including Opus 802 (exercise 16) and Andantino 158. They focused on hand positions, finger independence, wrist movement, and efficient practice strategies. The Tutor recommended practicing new exercises slowly, one per day, logging progress, and incorporating other repertoire like Opus 599.