Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Chord Theory icon

Chord Theory

Scales and Arpeggios icon

Scales and Arpeggios

Piano Technique icon

Piano Technique

Piano Repertoire icon

Piano Repertoire

Pedaling Techniques icon

Pedaling Techniques

Ear training icon

Ear training

Performance Skills icon

Performance Skills

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Podcast

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Learnings

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Types of learners for piano lessons

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Piano for Intermediate

Piano for Adults icon

Piano for Adults

Piano for Advanced icon

Piano for Advanced

Piano for Beginners icon

Piano for Beginners

Piano for Kids icon

Piano for Kids

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 9 hours ago

The session focused on piano technique and musical interpretation, primarily using pieces from Cherney's Opus 696 and Opus 500. Student and Tutor analyzed dynamics, pedaling, and phrasing in Number 4, and explored glissando techniques and climax identification in Number 5. For homework, the Student was assigned Number 7, encouraged to revisit earlier pieces, and to begin practicing scales from Opus 500, Part 1, for foundational skill development.

Redefining Tempo as Expressive Character

Nuanced Dynamics and Their "Kinds"

“Gardening the Score” – Personal Interpretation

Glissando (Rolling Chords) Techniques

Four-Part Chorale (SATB) Structure

Scales as the Foundation of Piano Mastery

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Student learned about 13 hours ago

The Student and Tutor reviewed several piano pieces, focusing on technical skills and musical understanding. They practiced a "trilling" technique using specific wrist motion, worked on pattern recognition and wrist rotation for improved sight-reading, and refined chord fingerings for smoother execution. The session concluded with an introduction to a new piece, emphasizing the identification and proper playing of musical intervals like thirds and sixths. The Student was assigned to continue practicing current pieces with repeats and to begin work on the A section of the new interval-focused piece.

Efficient Wrist Rocking for Repeated Notes

Recognizing Musical Patterns and Sequences

Mastering Wrist Rotation for Hand Sides

Introduction to Intervals (Thirds and Sixths)

Optimal Fingering for Chord Smoothness

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Student learned 2 days ago

Student and Tutor worked on Piano pieces from Opus 802, 599, and 239, focusing on improving hand coordination, practicing specific chord shapes and fingerings, and refining overall practice methods. The Tutor provided techniques for tackling challenging sections and discussed a structured approach to daily repetitions. Homework includes continued practice on Opus 802 exercises, applying new chord recognition methods to Opus 599 #10, and practicing the duet piece with chords on half notes.

Triad Chord Recognition & Simplified Fingering

Incremental & Repetitive Practice

Targeted Technical Drills for Hand Coordination

Developing Performance & Musical Character

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Student learned 3 days ago

Student and Tutor engaged in a piano lesson, focusing on technical aspects of a piece called "Gillet," including fingering adjustments, chord identification, and proper pedaling techniques. They also initiated new daily practice routines, starting with C major scales across the keyboard and triad inversion exercises to enhance technical proficiency.

Right-Hand Fingering Simplification (Gillett)

Left-Hand Chord Shapes and Corrections (Gillett)

Expressive Pedaling Technique

Daily C Major Scale Practice: Full Keyboard & Triad Inversions

Scales within a Key Signature (Modal Concept)

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Student learned 5 days ago

Student and Tutor worked on various piano exercises from Opus 599, 802, and 239, focusing on improving coordination, finger independence, and musicality. They practiced site reading, identifying musical patterns like parallel and contrary motion, and recognizing notes in both treble and bass clefs. Homework assigned included continuing practice on Opus 599, number 6 and 9, finishing Opus 802, number 2, and beginning Opus 802, number 3, along with an introduction to a Beethoven piece for future study.

Introducing Accidentals & Early Beethoven

Developing Musicality & Expressive Tone

Deconstructing and Practicing Sequences

Mastering Hand Coordination & Finger Gestures

Analyzing Musical Motion (Parallel & Contrary)

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Student learned 6 days ago

The session focused on foundational piano technique, starting with pronunciation and a discussion of ragtime music. The Student practiced five-finger exercises for hand independence and evenness, learning specific wrist and finger techniques. They also began analyzing Czerny Opus 599, Number 1, reviewing musical form, movement types (steps and skips), and rhythmic patterns, with a homework assignment to combine these elements for the piece's initial measures.

Fundamentals of Piano Posture & Technique

Rote Five-Finger Exercises: Patterns & Memory

Understanding Musical Form: Measures & Sections

Effective Fingering: Avoiding Substitution

Musical Movement: Steps

Skips & Rhythmic Perception

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Approach & tools used in piano classes

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PDF Sheet Music Libraries

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Virtual Piano Apps

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Metronome Apps

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Ear Training Software

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

Interactive piano lessons

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Open Q&A

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Parent feedback

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Record lessons

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Weekend lessons

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Note taking

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