Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Ear training icon

Ear training

Sight Reading icon

Sight Reading

Rhythm and Timing icon

Rhythm and Timing

Piano Technique icon

Piano Technique

Pedaling Techniques icon

Pedaling Techniques

Scales and Arpeggios icon

Scales and Arpeggios

Performance Skills icon

Performance Skills

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Podcast

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Learnings

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Types of learners for piano lessons

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Piano for Intermediate

Piano for Adults icon

Piano for Adults

Piano for Beginners icon

Piano for Beginners

Piano for Kids icon

Piano for Kids

Piano for Advanced icon

Piano for Advanced

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 19 hours ago

The Student and Tutor worked on piano technique, focusing on rhythmic counting for triplets in Opus 802 and refining hand positions for five-finger patterns and arpeggios in Opus 599. The Tutor introduced a new method for identifying and building three-note chord shapes. The Student was assigned to apply these chord recognition techniques to Opus 599, Exercise 10, and continue practicing rhythmic counting exercises.

Accordion/Slinky Hand Gesture for Piano

Accents and Musical Emphasis

Rhythmic Subdivision and Triplets

Identifying Chord Shapes (Even

Pinch

Gap)

Left Hand Stability and Phrasing Structure

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Student learned 1 day ago

Student and Tutor worked on piano technique and musical interpretation using pieces from Opus 299 number four and Nocturne number nine. They focused on phrasing, dynamics (including achieving different levels of forte and piano), and left-hand character. Homework includes practicing specific examples from Cherney's Opus 500 to develop a broader dynamic palette and applying marcato accents.

Czerny's Foundational Principles for Pianists (Opus 599)

Developing a Mature & Communicative Sound

Interpreting Musical Movement and Accents

Left-Hand Voicing and Preparation

Dynamic Control & Expressive Power

Phrasing & Articulation in Opus 299 No. 4

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Student learned 3 days ago

Student and Tutor reviewed music theory concepts including key signatures, major scale construction, triads, dynamics, and the expressive interpretation of tempo markings. They then focused on piano technique, practicing two-hand coordination and addressing specific fingering and wrist movement challenges in pieces from Opus 500, Opus 239, and Opus 599. The Student was assigned to review dynamics and tempo indications, practice specific difficult sections, and complete a related crossword puzzle.

Targeted Practice for Piano Proficiency

Wrist Versatility and Efficient Fingering

Tempo as Expressive Character

Musical Dynamics and Italian Terms

Major Triad Construction & Tetra chords

Key Signatures and Relative Minors

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Student learned 3 days ago

Student and Tutor reviewed piano practice, analyzing arpeggiations and chord inversions. They identified G major as a foundational scale for a piece in E minor and worked on piano technique, specifically wrist stability and thumb crossing. The session also involved a detailed analysis of a new piece, focusing on chord identification, a simplified rhythmic counting strategy for complex time signatures, and extensive corrections to problematic fingerings. For follow-up, the student will practice the G major scale in both hands and continue working on the new piece with the discussed fingering and rhythmic approaches.

Simplified Counting for Complex Time Signatures

Ergonomic Fingering in Music

Thumb Cross-Under in Scales

Quiet Wrist Technique for Scales

Relative Keys and Scale Practice

Arpeggios and Chord Inversions

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Student learned 4 days ago

Student and Tutor continued their piano lessons, reviewing key signatures and establishing a new weekly practice plan covering technique, theory, sight-reading, and duets. They worked extensively on Opus 802 technique exercises, focusing on finger placement, wrist motion, and slow practice, and began sight-reading Opus 599, addressing left-hand chord voicings and coordination. The session concluded with an introduction to piano duets from Opus 239, with the Student assigned to practice recording one part and playing along with another.

Comprehensive Piano Practice Framework

Mastering Opus 802 Technique Exercises

Left-Hand Chord Mastery in Opus 599 No. 11

Practicing Duets (Opus 239) for Timekeeping & Independence

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Student learned 5 days ago

The tutor and student worked on identifying notes on the musical staff, understanding note durations (whole and half notes), and recognizing steps and skips in musical passages. They practiced reading music and discussed rhythmic counting, with plans to continue applying these skills to new music next week.

Note Reading in Treble and Bass Clefs

Stepwise and Skipwise Motion

Parallel and Contrary Motion in Hands

Note Durations: Whole and Half Notes

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Approach & tools used in piano classes

Ear Training Software image

Ear Training Software

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

Metronome Apps image

Metronome Apps

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

Virtual Piano Apps image

Virtual Piano Apps

Interactive piano lessons

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Chat for quick help

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Open Q&A

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Note taking

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Record lessons

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Weekend lessons

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