Otha Lewis
Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.
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Otha Lewis
Diploma degree
/ 55 min
Otha - Your piano teacher
My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!
Otha graduated from Fresno City College

Your piano teacher skills
Ear training
Sight Reading
Rhythm and Timing
Piano Technique
Pedaling Techniques
Scales and Arpeggios
Performance Skills
AI modules
Summary
Podcast
Quiz
Learnings
Flashcard
Spotlight
Zero Risk Guaranteed
15-days refund
Free tutor swap
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1-yr validity
24/7 support
Types of learners for piano lessons
Piano for Intermediate
Piano for Adults
Piano for Beginners
Piano for Kids
Piano for Advanced
Piano lessons at a glance
Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano

Piano concepts taught by Otha
The Student and Tutor worked on piano technique, focusing on rhythmic counting for triplets in Opus 802 and refining hand positions for five-finger patterns and arpeggios in Opus 599. The Tutor introduced a new method for identifying and building three-note chord shapes. The Student was assigned to apply these chord recognition techniques to Opus 599, Exercise 10, and continue practicing rhythmic counting exercises.
Accordion/Slinky Hand Gesture for Piano
Accents and Musical Emphasis
Rhythmic Subdivision and Triplets
Identifying Chord Shapes (Even
Pinch
Gap)
Left Hand Stability and Phrasing Structure
Student and Tutor worked on piano technique and musical interpretation using pieces from Opus 299 number four and Nocturne number nine. They focused on phrasing, dynamics (including achieving different levels of forte and piano), and left-hand character. Homework includes practicing specific examples from Cherney's Opus 500 to develop a broader dynamic palette and applying marcato accents.
Czerny's Foundational Principles for Pianists (Opus 599)
Developing a Mature & Communicative Sound
Interpreting Musical Movement and Accents
Left-Hand Voicing and Preparation
Dynamic Control & Expressive Power
Phrasing & Articulation in Opus 299 No. 4
Student and Tutor reviewed music theory concepts including key signatures, major scale construction, triads, dynamics, and the expressive interpretation of tempo markings. They then focused on piano technique, practicing two-hand coordination and addressing specific fingering and wrist movement challenges in pieces from Opus 500, Opus 239, and Opus 599. The Student was assigned to review dynamics and tempo indications, practice specific difficult sections, and complete a related crossword puzzle.
Targeted Practice for Piano Proficiency
Wrist Versatility and Efficient Fingering
Tempo as Expressive Character
Musical Dynamics and Italian Terms
Major Triad Construction & Tetra chords
Key Signatures and Relative Minors
Student and Tutor reviewed piano practice, analyzing arpeggiations and chord inversions. They identified G major as a foundational scale for a piece in E minor and worked on piano technique, specifically wrist stability and thumb crossing. The session also involved a detailed analysis of a new piece, focusing on chord identification, a simplified rhythmic counting strategy for complex time signatures, and extensive corrections to problematic fingerings. For follow-up, the student will practice the G major scale in both hands and continue working on the new piece with the discussed fingering and rhythmic approaches.
Simplified Counting for Complex Time Signatures
Ergonomic Fingering in Music
Thumb Cross-Under in Scales
Quiet Wrist Technique for Scales
Relative Keys and Scale Practice
Arpeggios and Chord Inversions
Student and Tutor continued their piano lessons, reviewing key signatures and establishing a new weekly practice plan covering technique, theory, sight-reading, and duets. They worked extensively on Opus 802 technique exercises, focusing on finger placement, wrist motion, and slow practice, and began sight-reading Opus 599, addressing left-hand chord voicings and coordination. The session concluded with an introduction to piano duets from Opus 239, with the Student assigned to practice recording one part and playing along with another.
Comprehensive Piano Practice Framework
Mastering Opus 802 Technique Exercises
Left-Hand Chord Mastery in Opus 599 No. 11
Practicing Duets (Opus 239) for Timekeeping & Independence
The tutor and student worked on identifying notes on the musical staff, understanding note durations (whole and half notes), and recognizing steps and skips in musical passages. They practiced reading music and discussed rhythmic counting, with plans to continue applying these skills to new music next week.
Note Reading in Treble and Bass Clefs
Stepwise and Skipwise Motion
Parallel and Contrary Motion in Hands
Note Durations: Whole and Half Notes
Approach & tools used in piano classes
Ear Training Software
PDF Sheet Music Libraries
Metronome Apps
Chord & Scale Reference Apps
Virtual Piano Apps
Interactive piano lessons
Chat for quick help
Open Q&A
Note taking
Record lessons
Weekend lessons

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Every tutor is interviewed and selected for subject expertise and teaching skill.
