Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Pedaling Techniques icon

Pedaling Techniques

Music theory icon

Music theory

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Piano Technique icon

Piano Technique

Scales and Arpeggios icon

Scales and Arpeggios

Chord Theory icon

Chord Theory

Performance Skills icon

Performance Skills

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Types of learners for piano lessons

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Piano for advanced

Piano for kids icon

Piano for kids

Piano for adults icon

Piano for adults

Piano for intermediate icon

Piano for intermediate

Piano for beginners icon

Piano for beginners

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 16 hours ago

Student and Tutor discussed classical piano music, including concert experiences, musical influences, and effective practice strategies. They reviewed the student's progress on Opus 239 Primo and Opus 802 exercises, focusing on key signatures, accidentals, and specialized fingerings. The Student was assigned to revisit previous exercises in new keys, work on Opus 802, No. 8, practice hands separately, and utilize the IMSLP app for scores and metronome functions.

Key Signatures and Accidental Identification

Adapting the Five-Finger Position for Complex Keys

Systematic Practice of Previous Exercises in New Keys

Accidental Rules in Measures

Navigating Alternate Fingerings and Editorial Editions

Developing Hand Independence with Repetitive Baselines

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Student learned 1 day ago

The Student and Tutor focused on foundational piano techniques. They covered keyboard layout, note identification, finger numbering, and practiced a series of right-hand exercises involving stepwise motion and repeated notes. The session also introduced the first musical piece, an etude by Czerny, and discussed ergonomic posture, necessary equipment, and upcoming practice routines including listening to classical music.

Basic Musical Motion: Steps & Skips

Foundational Piano Technique: "Quiet Hand" & Repetition

Carl Czerny's Pedagogical Approach & First Piece (Opus 823)

Right Hand Fingering System

Keyboard Navigation & Note Identification

Optimal Piano Posture & Ergonomics

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Student learned 1 day ago

Student and Tutor focused on piano technique, practicing fundamental scale and arpeggio patterns in C major, with an emphasis on proper thumb and wrist mechanics. They critically reviewed and adjusted fingerings for a new Chinese piano piece, ensuring efficient and ergonomic hand positions. The session concluded with a discussion on ear training methods and the 'relative Do' solfège system.

Introduction to Ear Training & Relative Solfège

Adapting Sheet Music Fingerings for Comfort

Efficiency-Focused Scale Practice Patterns

Left-Hand Precision and Articulation

Fundamental Scale Fingering Mechanics

Left-Hand Arpeggio Foundations

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Student learned 3 days ago

Student and Tutor continued their piano lesson, focusing on techniques for analyzing musical patterns using steps, skips, and directional movements in Opus 802 exercises. They practiced two-hand coordination, distinguishing between opposite and parallel motion within pieces from Opus 599. The Tutor recommended daily practice, emphasizing playing through entire sections slowly, and discussed acquiring sheet music for the Disney song 'This Wish' for future lessons.

Pattern Recognition: Steps and Skips

Musical Thinking: Visualizing Patterns

Developing Hand Coordination: Parallel and Opposite Motion

Targeted Practice: Isolating Difficult Sections

Continuous Playing: The "Play Through" Method

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Student learned 4 days ago

The Student and Tutor discussed piano practice strategies, focusing on improving hand cooperation, rhythmic precision, and musical interpretation. They reviewed specific exercises from Opus 802, Opus 500, and Opus 599, with the Student demonstrating progress and identifying personal challenges. Homework was assigned to consolidate existing pieces and explore a new resource, Opus 823, for continued skill development.

Strategic Practice & Mental Focus

Efficient Movement & Timing for Jumps

Overcoming Handover Challenges in Contrary Motion

Left-Hand Automation & Harmonic Awareness

Deconstructing Difficult Passages

Music Interpretation & Personal Style

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Student learned 6 days ago

The Student and Tutor practiced piano pieces from Opus 802 and Opus 599, focusing on identifying and executing musical intervals like skips and steps, as well as coordinating both hands using concepts of opposite and parallel motion. The Tutor guided the Student through new measures, emphasizing conceptual understanding over rote memorization. For homework, the Student was assigned to practice specific measures from Opus 802 to build confidence and prepare for future lessons.

Pattern Recognition & Repetition: Conquering 'Tightrope Syndrome'

Hand Coordination: Opposite & Parallel Motion

Strategic Practice Techniques for Independence & Trust

Describing Melodic Movement: Steps & Skips

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Approach & tools used in piano classes

Metronome Apps image

Metronome Apps

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Ear Training Software

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Chord & Scale Reference Apps

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PDF Sheet Music Libraries

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Virtual Piano Apps

Interactive piano lessons

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Open Q&A

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Parent feedback

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Note taking

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Chat for quick help

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Record lessons

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