Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Music theory icon

Music theory

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Ear training

Pedaling Techniques icon

Pedaling Techniques

Sight Reading icon

Sight Reading

Piano Technique icon

Piano Technique

Performance Skills icon

Performance Skills

Rhythm and Timing icon

Rhythm and Timing

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Types of learners for piano lessons

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Piano for Advanced

Piano for Adults icon

Piano for Adults

Piano for Kids icon

Piano for Kids

Piano for Beginners icon

Piano for Beginners

Piano for Intermediate icon

Piano for Intermediate

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 19 hours ago

The introductory piano session focused on understanding the Student's compositional aspirations and establishing foundational piano concepts. The Tutor introduced basic music theory, including clef identification, note names on the keyboard, and finger numbering. They also discussed a structured learning approach combining classical technique with theory to support the Student's composition goals.

Connecting Finger Placement to Clef Identification

The Piano as a Composer's Visual Tool

Deciphering Music Clefs: G-Clef (Treble) & F-Clef (Bass)

Navigating the Keyboard: Finding C and Note Cycle

Standard Piano Finger Numbering

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Student learned 1 day ago

Student and Tutor continued their piano lesson, focusing on technique and sight-reading with Opus 802 and Opus 599. They practiced legato playing using a 'catch-up' technique, rhythmic accuracy with a 'watermelon' counting method, and essential hand movements like the thumb tuck. The Tutor assigned daily practice for sections 4, 5, and 6 of Opus 802, repeated five times each, and discussed introducing a new method book, Opus 823, for a gentler learning curve.

Advanced Finger Movement: The "Thumb-Under" Technique

Music Score Navigation: Measures & Groups

Legato Playing: The "Catch-Up" Technique

Rhythmic Counting: The Watermelon Method

Structured Daily Practice Plan

Hand Shape & Finger Independence: Avoiding "Teacup Pinky"

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Student learned 2 days ago

Student and Tutor engaged in a piano lesson, reviewing the Student's weekly practice on various exercises including Opus 599, Opus 2, and Opus 239. They focused on refining techniques such as hand gestures, wrist leading, thumb positioning, and building chords incrementally. The Tutor assigned a new piece, Opus 802 number 2, and introduced the '8va' symbol, which indicates playing one octave higher, for the Student to practice.

Wrist-Led Technique for Dynamic Control

Building Chords from the Ground Up (Target Practice)

Precise Left Hand Thumb Placement

Understanding the 8va (Ottava) Symbol

Reconciling Theory with Intuition

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Student learned 3 days ago

Student and Tutor focused on foundational piano techniques, practicing rudiments and introducing concepts of parallel/contrary motion, steps, and skips. They reviewed and corrected note reading in Opus 599, addressed wrist technique, and identified musical sequences. The student was assigned to practice Opus 599 number five and a new piece (number three) to assess readiness for advanced material.

The "Closing Hand" Technique for Smoothness

Recognizing Musical Sequences

Accurate Note Reading & Octave Placement

Tempo Control for Deeper Mastery

Decoding Piano Motion: Steps

Skips

Parallel & Contrary

Foundational Rudiments & Fingerings

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Student learned 5 days ago

The session focused on piano technique and musical interpretation, primarily using pieces from Cherney's Opus 696 and Opus 500. Student and Tutor analyzed dynamics, pedaling, and phrasing in Number 4, and explored glissando techniques and climax identification in Number 5. For homework, the Student was assigned Number 7, encouraged to revisit earlier pieces, and to begin practicing scales from Opus 500, Part 1, for foundational skill development.

Four-Part Chorale (SATB) Structure

Redefining Tempo as Expressive Character

Nuanced Dynamics and Their "Kinds"

“Gardening the Score” – Personal Interpretation

Glissando (Rolling Chords) Techniques

Scales as the Foundation of Piano Mastery

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Student learned 5 days ago

The Student and Tutor reviewed several piano pieces, focusing on technical skills and musical understanding. They practiced a "trilling" technique using specific wrist motion, worked on pattern recognition and wrist rotation for improved sight-reading, and refined chord fingerings for smoother execution. The session concluded with an introduction to a new piece, emphasizing the identification and proper playing of musical intervals like thirds and sixths. The Student was assigned to continue practicing current pieces with repeats and to begin work on the A section of the new interval-focused piece.

Efficient Wrist Rocking for Repeated Notes

Recognizing Musical Patterns and Sequences

Mastering Wrist Rotation for Hand Sides

Introduction to Intervals (Thirds and Sixths)

Optimal Fingering for Chord Smoothness

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Approach & tools used in piano classes

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

Metronome Apps image

Metronome Apps

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

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Ear Training Software

Virtual Piano Apps image

Virtual Piano Apps

Interactive piano lessons

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Weekend lessons

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Parent feedback

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Chat for quick help

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Open Q&A

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Note taking

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