Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Ear training icon

Ear training

Chord Theory icon

Chord Theory

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Rhythm and Timing icon

Rhythm and Timing

Sight Reading icon

Sight Reading

Piano Repertoire icon

Piano Repertoire

Pedaling Techniques icon

Pedaling Techniques

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Summary

Podcast

Quiz

Learnings

Flashcard

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1-yr validity

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Types of learners for piano lessons

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Piano for Kids

Piano for Advanced icon

Piano for Advanced

Piano for Beginners icon

Piano for Beginners

Piano for Adults icon

Piano for Adults

Piano for Intermediate icon

Piano for Intermediate

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned 2 days ago

The tutor and student reviewed musical intervals, specifically focusing on identifying and describing sixths, sevenths, and octaves by relating them to known intervals like the fifth. They then transitioned to a new approach for understanding complex rhythms and multi-voice notation, emphasizing rhythmic relationships and subdivisions rather than strict note values. The student is to continue practicing these concepts independently.

Practicing Polyphonic Music

Rhythmic Subdivision and Perception

Interval Identification

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Student learned 2 days ago

The class reviewed musical cadences, including authentic, plagal, and half cadences, and explored key signature identification with a focus on minor keys. The student practiced identifying chords and understanding voice leading principles, with assignments focusing on workbook exercises and chord identification.

The Dominant Seventh Chord (V⁷)

Voice Leading and Smooth Transitions

Key Signatures and Scales

Cadences in Music

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Student learned 4 days ago

The student and tutor worked on improving rhythmic accuracy and counting within a musical piece. They practiced clapping rhythms, understanding pickup measures, and integrating subdivisions with a metronome. The tutor assigned the student to review unit two of their workbook for the next session.

Understanding Tempo and Subdivision

The Anacrusis (Pickup Measure)

Rhythmic Notation: Dotted Quarter Notes and Ties

Sixteenth Notes and Advanced Subdivision

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Student learned 6 days ago

The tutor and student worked on piano technique, focusing on improving hand and wrist posture for complex passages in Chopin and Czerny. They discussed fingering, phrasing, and the interpretation of musical editions, with the student assigned to practice Czerny exercises and explore Chopin's preludes.

The 'Choir Master' Left Hand and Expressive Right Hand

Childlike Excitement and Idealistic Character in Music

Understanding Musical Articulation: Ties vs. Slurs

Dynamic Interpretation: The Role of Forte and Piano

Efficient Piano Technique: Minimizing Wrist Strain

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Student learned 7 days ago

The Student and Tutor worked on piano technique, focusing on exercises from Opus 802 and Opus 139. They practiced rhythmic precision using a metronome and refined hand and wrist movements for better articulation and control. The plan for the upcoming weeks involves consistent practice of these exercises with the metronome and working towards completing sections of the assigned material.

The Power of Repetition in Practice

Metronome Usage for Precision

Developing Hand and Wrist Technique

Understanding Musical Terms and Structure

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Student learned 10 days ago

The Tutor and Student explored the concept of "movement" in music, focusing on how articulation and meter interpretation influence a piece's feel. They analyzed musical examples to understand how perceived meter can create different expressive qualities and discussed the importance of proper musical declamation. The session concluded with practice on simulating expressive techniques like vocal legato on the piano, with plans for continued practice and analysis.

Linguistic Analogy in Music

Musical Movement and Articulation

Meter and Rhythmic Interpretation

Tempo

Articulation

and Musical Character

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Approach & tools used in piano classes

Ear Training Software image

Ear Training Software

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

Metronome Apps image

Metronome Apps

Virtual Piano Apps image

Virtual Piano Apps

Interactive piano lessons

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Note taking

Open Q&A icon

Open Q&A

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Chat for quick help

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Record lessons

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Parent feedback

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