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Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

4.8(32)

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Otha Lewis

Diploma degree

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Each lesson is 55 min

50 lessons


20% off

/ lesson

30 lessons


15% off

/ lesson

20 lessons


10% off

/ lesson

10 lessons


5% off

/ lesson

5 lessons


-

/ lesson

1 lessons


-

/ lesson

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Sight Reading icon

Sight Reading

Music theory icon

Music theory

Piano Technique icon

Piano Technique

Performance Skills icon

Performance Skills

Chord Theory icon

Chord Theory

Ear training icon

Ear training

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Pedaling Techniques

Types of learners for piano lessons

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Piano for Advanced

Piano for Kids icon

Piano for Kids

Piano for Beginners icon

Piano for Beginners

Piano for Intermediate icon

Piano for Intermediate

Piano for Adults icon

Piano for Adults

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned 1 day ago

The session covered musical ornamentation (grace notes and trills) and improvisation techniques within Baroque and Classical music. The Student worked on specific fingering and phrasing in pieces like Opus 139, number 7, to improve technique and musicality. The follow-up includes practicing scales and the discussed piece, with a plan to further discuss phrasing next session.

Sixths Interval Fingerings and Phrasing

Scales: A♭ Major (G♯ Major)

Improvising Ornaments: Trills and Mordents

Baroque vs. Classical Grace Notes

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Student learned 4 days ago

The Student and Tutor reviewed music theory concepts including key signatures, scales, triads, and parallel minors. The Student began working on a new piano piece in D flat major, focusing on left-hand technique. The assigned homework includes completing exercises in the workbook, continuing work on Opus 802, and practicing the left hand of the new piece.

Tonic and Dominant Function

Parallel Minor Scales

G♭ Major Scale: Fingerings and Characteristics

Motives and Musical Analysis

Triad Formation from Scales

Scale Construction: Whole and Half Steps

Five-Finger Patterns and Scale Degrees

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Student learned 5 days ago

The Tutor guided the student in improving their piano technique, focusing on dynamics and efficient practice methods. The student practiced playing with rested fingers to achieve softer dynamics and worked on breaking down musical passages into smaller, theoretical components for better understanding and memorization. The Student was assigned to practice these techniques on selected pieces, with ornaments scheduled for the next lesson.

Nuance in Piano Dynamics

Developing Layers of Sound

Recursive Practice and Self-Interrogation

Efficient Scale Practice

Deconstructing Musical Passages

Chordal and Sequence Understanding

Targeted Practice

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Student learned 6 days ago

The session addressed the Student's piano technique focusing on hand position and finger movement, particularly in Czerny's Opus 802 and Bach's Minuet in G Major. The Student worked on achieving a lighter touch and more controlled sound by adjusting their hand and wrist posture. The Student was assigned to practice Czerny's Opus 802 additively, focusing on building fluency, and to apply the discussed hand position techniques to both pieces.

Additive Practice

Pattern Recognition & Execution

Hand and Finger Technique

Anchor Points

Parallel and Contrary Motion Awareness

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Student learned 9 days ago

The student and tutor reviewed Bach's Minuet in G Major, focusing on hand separation exercises and fingering techniques to improve fluency. The student also practiced identifying parallel and contrary motion within the piece. Homework includes practicing Opus 802 number six and focusing on the Minuet, with an emphasis on applying the discussed techniques.

Separating Hands for Practice

Fingering Techniques: Closing Hand Position

Identifying Parallel and Contrary Motion

Understanding Multiple Voices

Finger Pedaling

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Student learned 12 days ago

The student reviewed Bach minuets, focusing on fingering, rhythm, and ornamentation. The tutor provided guidance on specific passages and introduced mnemonic devices to aid in rhythmic accuracy. Homework involves practicing the minuets with the suggested techniques, focusing on consistent rhythm and stylistic ornamentation.

Baroque Ornamentation: Grace Notes

Hand Position and Finger Independence

Utilizing Food Syllables for Rhythmic Accuracy

Understanding Time Signatures: 3/4 Time

Baroque Ornamentation: Mortants and Trills

Fingering Optimization

Improved Sense of Time and Rhythm

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Approach & tools used in piano classes

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

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Virtual Piano Apps

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Chord & Scale Reference Apps

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Metronome Apps

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Ear Training Software

Interactive piano lessons

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Chat for quick help

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Open Q&A

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Parent feedback

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Record lessons

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Note taking

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Every tutor is interviewed and selected for subject expertise and teaching skill.