Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Rhythm and Timing icon

Rhythm and Timing

Performance Skills icon

Performance Skills

Ear training icon

Ear training

Music theory icon

Music theory

Scales and Arpeggios icon

Scales and Arpeggios

Pedaling Techniques icon

Pedaling Techniques

Piano Repertoire icon

Piano Repertoire

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Types of learners for piano lessons

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Piano for beginners

Piano for kids icon

Piano for kids

Piano for advanced icon

Piano for advanced

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Piano for adults

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Piano for intermediate

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 23 hours ago

The Student and Tutor focused on refining piano technique, specifically practicing wrist motions like the "arch" and "doorknob" for improved fluidity and relaxation in various Czerny exercises. They reviewed progress on existing studies (802, 299, 158, 599) and sight-read a new left-hand exercise (number 2) for the first time. Homework included beginning practice on the new exercise and comparing fingerings for Czerny 599 using a recommended edition.

Breaking the Five-Finger Pattern

Essential Piano Gestures: Arch & Doorknob

Off-Piano Technique Practice

Left Hand Mastery for Modern Repertoire

Rhythmic Precision & Music Reading Fundamentals

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Student learned 1 day ago

Student and Tutor reviewed two-handed piano scales, focusing on speed development and a new scale exercise. They also practiced a piece, "Let It Snow," analyzing its chords and applying specific fingering for challenging sections. The Tutor introduced methods for segmenting practice and briefly discussed chord theory, encouraging the Student to explore additional Christmas songs.

Constructing Diminished Chords

Two-Handed Scale Foundation

Sectional Practice for Piece Mastery

Simplified Fingering Rotation

Understanding Chord Symbols (Lead Sheet Basics)

Enhancing Accompaniment with Chord Voicing

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Student learned 2 days ago

Student and Tutor worked on music theory concepts, specifically focusing on identifying and counting fourth and fifth intervals. They also reviewed accidentals (sharps, flats, and naturals) and discussed the rule governing their application within a measure. Homework was assigned from pages 26-31, covering these topics.

Melodic vs. Harmonic Intervals

Identifying Fifths

Identifying Fourths

Music Intervals: Counting Steps

Accidentals: Sharps

Flats

and Naturals

Accidental Rules within a Measure

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Student learned 2 days ago

Student and Tutor continued their work on piano pieces, specifically "365 number 47" and a Chopin Waltz. They concentrated on refining technical aspects such as trills, dynamics, timing, phrasing, and the execution of grace notes and rubato. The Student is assigned to progress to the third section of "365 number 47" and will receive new repertoire suggestions, in addition to reviewing an older piece, for the next session.

Expressive Trills & Dynamic Control

Rhythmic Nuance: Ritenuto vs. Calando

Deconstructing Long Cadenzas

Strategic Pedaling & Rubato in Chopin

Voicing & Legato in Chords

Repertoire Progression & Practice Mindset

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Student learned 4 days ago

The Student and Tutor focused on refining piano technique, specifically wrist motions and economical fingering patterns, within Czerny's exercises. The Student practiced developing tactile awareness of the keyboard through eyes-closed exercises and worked on specific technical challenges in Opus 802 and Opus 599. They discussed upcoming exercises and the Tutor advised the Student to mark recurring issues directly on their score for focused practice.

Effective Score Management & Guided Memorization

Optimizing Fingering for Efficiency

Efficient Practice Strategies

Mastering Wrist Motions for Smoothness

Developing Tactile Keyboard Awareness

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Student learned 7 days ago

The demo piano lesson focused on the Tutor's pedagogical approach, which prioritizes a deep understanding of music theory and technique using 19th-century studies by Carl Czerny. The Student's goals, practice commitment, and initial learning materials (Czerny Opus 599 and 802) were discussed, along with the importance of ergonomics and sheet music editions. Educational follow-up includes acquiring specific Czerny method books and beginning basic note reading.

Core Czerny Opus Studies for Beginners

Cultivating Musical Intuition & Artistry

Critical Role of Editions & Fingerings

Practice Consistency & Ergonomics

Czerny-Based Pedagogy: The European Method

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Approach & tools used in piano classes

Metronome Apps image

Metronome Apps

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Ear Training Software

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PDF Sheet Music Libraries

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Virtual Piano Apps

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Chord & Scale Reference Apps

Interactive piano lessons

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Chat for quick help

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Note taking

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Record lessons

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Open Q&A

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Weekend lessons

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