Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Sight Reading icon

Sight Reading

Piano Technique icon

Piano Technique

Chord Theory icon

Chord Theory

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Ear training icon

Ear training

Pedaling Techniques icon

Pedaling Techniques

Scales and Arpeggios icon

Scales and Arpeggios

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Learnings

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Types of learners for piano lessons

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Piano for Beginners

Piano for Advanced icon

Piano for Advanced

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Piano for Adults

Piano for Kids icon

Piano for Kids

Piano for Intermediate icon

Piano for Intermediate

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned 1 day ago

Student and Tutor discussed piano technique and interpretation for Czerny's Op. 299 and a Nocturne, focusing on specific passages, fingering, pedaling, phrasing, and character. They also reviewed methods for practicing challenging sections and planned to start a Beethoven piece next week. The Student was encouraged to practice performing for others to help with stage nervousness for an upcoming event.

Building Orchestral Sound with Sustained Pedal

Articulating Phrasing with "Breath Marks" and Pedal

Tempo and Comprehension in Piano Practice

Optimizing Wrist Motion for Difficult Passages

Developing Left Hand Stability and Independence

Navigating Poliphony and Chorale Textures

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Student learned 1 day ago

The session was a piano demo lesson where the Tutor evaluated the Student's current skill level and discussed their aspirations in classical and jazz piano. They practiced fundamental right-hand rudiments, discussed left-hand technique, and explored the historical teaching methods of Carl Cherney. The Tutor also provided insight into learning music reading and advanced techniques like arpeggios.

Foundational Rudiments & Ergonomics

The Czerny Pedagogy: A Historical Approach

Developing Rhythm & Sight-Reading

Introduction to Advanced Techniques & Repertoire

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Student learned 3 days ago

The introductory piano session focused on understanding the Student's compositional aspirations and establishing foundational piano concepts. The Tutor introduced basic music theory, including clef identification, note names on the keyboard, and finger numbering. They also discussed a structured learning approach combining classical technique with theory to support the Student's composition goals.

Deciphering Music Clefs: G-Clef (Treble) & F-Clef (Bass)

The Piano as a Composer's Visual Tool

Connecting Finger Placement to Clef Identification

Standard Piano Finger Numbering

Navigating the Keyboard: Finding C and Note Cycle

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Student learned 4 days ago

Student and Tutor continued their piano lesson, focusing on technique and sight-reading with Opus 802 and Opus 599. They practiced legato playing using a 'catch-up' technique, rhythmic accuracy with a 'watermelon' counting method, and essential hand movements like the thumb tuck. The Tutor assigned daily practice for sections 4, 5, and 6 of Opus 802, repeated five times each, and discussed introducing a new method book, Opus 823, for a gentler learning curve.

Advanced Finger Movement: The "Thumb-Under" Technique

Music Score Navigation: Measures & Groups

Legato Playing: The "Catch-Up" Technique

Rhythmic Counting: The Watermelon Method

Structured Daily Practice Plan

Hand Shape & Finger Independence: Avoiding "Teacup Pinky"

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Student learned 5 days ago

Student and Tutor engaged in a piano lesson, reviewing the Student's weekly practice on various exercises including Opus 599, Opus 2, and Opus 239. They focused on refining techniques such as hand gestures, wrist leading, thumb positioning, and building chords incrementally. The Tutor assigned a new piece, Opus 802 number 2, and introduced the '8va' symbol, which indicates playing one octave higher, for the Student to practice.

Reconciling Theory with Intuition

Understanding the 8va (Ottava) Symbol

Precise Left Hand Thumb Placement

Building Chords from the Ground Up (Target Practice)

Wrist-Led Technique for Dynamic Control

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Student learned 5 days ago

Student and Tutor focused on foundational piano techniques, practicing rudiments and introducing concepts of parallel/contrary motion, steps, and skips. They reviewed and corrected note reading in Opus 599, addressed wrist technique, and identified musical sequences. The student was assigned to practice Opus 599 number five and a new piece (number three) to assess readiness for advanced material.

The "Closing Hand" Technique for Smoothness

Recognizing Musical Sequences

Accurate Note Reading & Octave Placement

Tempo Control for Deeper Mastery

Decoding Piano Motion: Steps

Skips

Parallel & Contrary

Foundational Rudiments & Fingerings

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Approach & tools used in piano classes

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Metronome Apps

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Ear Training Software

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PDF Sheet Music Libraries

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Virtual Piano Apps

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Chord & Scale Reference Apps

Interactive piano lessons

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Weekend lessons

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Note taking

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Parent feedback

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Open Q&A

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Chat for quick help

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