Otha Lewis
Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.




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Otha Lewis
Diploma degree
/ 55 min
Otha - Your piano teacher
My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!
Otha graduated from Fresno City College

Your piano teacher skills
Music theory
Ear training
Pedaling Techniques
Sight Reading
Piano Technique
Performance Skills
Rhythm and Timing
AI modules
Summary
Podcast
Quiz
Learnings
Flashcard
Spotlight
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Types of learners for piano lessons
Piano for Advanced
Piano for Adults
Piano for Kids
Piano for Beginners
Piano for Intermediate
Piano lessons at a glance
Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano

Piano concepts taught by Otha
The introductory piano session focused on understanding the Student's compositional aspirations and establishing foundational piano concepts. The Tutor introduced basic music theory, including clef identification, note names on the keyboard, and finger numbering. They also discussed a structured learning approach combining classical technique with theory to support the Student's composition goals.
Connecting Finger Placement to Clef Identification
The Piano as a Composer's Visual Tool
Deciphering Music Clefs: G-Clef (Treble) & F-Clef (Bass)
Navigating the Keyboard: Finding C and Note Cycle
Standard Piano Finger Numbering
Student and Tutor continued their piano lesson, focusing on technique and sight-reading with Opus 802 and Opus 599. They practiced legato playing using a 'catch-up' technique, rhythmic accuracy with a 'watermelon' counting method, and essential hand movements like the thumb tuck. The Tutor assigned daily practice for sections 4, 5, and 6 of Opus 802, repeated five times each, and discussed introducing a new method book, Opus 823, for a gentler learning curve.
Advanced Finger Movement: The "Thumb-Under" Technique
Music Score Navigation: Measures & Groups
Legato Playing: The "Catch-Up" Technique
Rhythmic Counting: The Watermelon Method
Structured Daily Practice Plan
Hand Shape & Finger Independence: Avoiding "Teacup Pinky"
Student and Tutor engaged in a piano lesson, reviewing the Student's weekly practice on various exercises including Opus 599, Opus 2, and Opus 239. They focused on refining techniques such as hand gestures, wrist leading, thumb positioning, and building chords incrementally. The Tutor assigned a new piece, Opus 802 number 2, and introduced the '8va' symbol, which indicates playing one octave higher, for the Student to practice.
Wrist-Led Technique for Dynamic Control
Building Chords from the Ground Up (Target Practice)
Precise Left Hand Thumb Placement
Understanding the 8va (Ottava) Symbol
Reconciling Theory with Intuition
Student and Tutor focused on foundational piano techniques, practicing rudiments and introducing concepts of parallel/contrary motion, steps, and skips. They reviewed and corrected note reading in Opus 599, addressed wrist technique, and identified musical sequences. The student was assigned to practice Opus 599 number five and a new piece (number three) to assess readiness for advanced material.
The "Closing Hand" Technique for Smoothness
Recognizing Musical Sequences
Accurate Note Reading & Octave Placement
Tempo Control for Deeper Mastery
Decoding Piano Motion: Steps
Skips
Parallel & Contrary
Foundational Rudiments & Fingerings
The session focused on piano technique and musical interpretation, primarily using pieces from Cherney's Opus 696 and Opus 500. Student and Tutor analyzed dynamics, pedaling, and phrasing in Number 4, and explored glissando techniques and climax identification in Number 5. For homework, the Student was assigned Number 7, encouraged to revisit earlier pieces, and to begin practicing scales from Opus 500, Part 1, for foundational skill development.
Four-Part Chorale (SATB) Structure
Redefining Tempo as Expressive Character
Nuanced Dynamics and Their "Kinds"
“Gardening the Score” – Personal Interpretation
Glissando (Rolling Chords) Techniques
Scales as the Foundation of Piano Mastery
The Student and Tutor reviewed several piano pieces, focusing on technical skills and musical understanding. They practiced a "trilling" technique using specific wrist motion, worked on pattern recognition and wrist rotation for improved sight-reading, and refined chord fingerings for smoother execution. The session concluded with an introduction to a new piece, emphasizing the identification and proper playing of musical intervals like thirds and sixths. The Student was assigned to continue practicing current pieces with repeats and to begin work on the A section of the new interval-focused piece.
Efficient Wrist Rocking for Repeated Notes
Recognizing Musical Patterns and Sequences
Mastering Wrist Rotation for Hand Sides
Introduction to Intervals (Thirds and Sixths)
Optimal Fingering for Chord Smoothness
Approach & tools used in piano classes
Chord & Scale Reference Apps
Metronome Apps
PDF Sheet Music Libraries
Ear Training Software
Virtual Piano Apps
Interactive piano lessons
Weekend lessons
Parent feedback
Chat for quick help
Open Q&A
Note taking

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