Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Performance Skills icon

Performance Skills

Ear training icon

Ear training

Piano Technique icon

Piano Technique

Scales and Arpeggios icon

Scales and Arpeggios

Chord Theory icon

Chord Theory

Piano Repertoire icon

Piano Repertoire

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Types of learners for piano lessons

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Piano for intermediate

Piano for adults icon

Piano for adults

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Piano for beginners

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Piano for kids

Piano for advanced icon

Piano for advanced

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 12 hours ago

The Student and Tutor reviewed several piano pieces, including Opus 802, Opus 599, and a Sonatina movement, focusing on technical aspects like hand positions, fingering accuracy, tempo control, and dynamic interpretation. They practiced specific motions for the left hand and wrist, addressed fingering challenges from different music editions, and discussed incorporating musical indications for expression. The Tutor assigned slow, methodical practice with recording, and advised focusing on current assignments before exploring new material.

Interpreting Performance Dynamics (Sforzando)

Strategic Tempo Control for Observational Practice

Mastering Thirds with Wrist-Forward Motion

Legato Voicing & Fingering Edition Impact

Left Hand Pulling Motion for Ascending Passages

Optimizing Thumb Engagement & Hand Posture

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Student learned about 23 hours ago

Student and Tutor worked on integrating new five-finger pattern exercises as a supplement to scale practice, clarifying legato and practice strategies. They refined fingering for chromatic scales and meticulously corrected specific sections of Etude 299, focusing on original composer fingerings for pedagogical benefits. Discussion also included preparing a Christmas song for performance, with the Tutor advising on building performance confidence and potentially addressing fingering for efficiency.

Foundational Five-Finger Patterns (Peters Edition)

Chromatic Scale Fingering: Ascending & Descending

Cherny 299 Etude: Intentional Fingering & Performance Strategy

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Student learned 1 day ago

The Student and Tutor reviewed fundamental music theory concepts including rhythm counting, note durations, subdivisions with eighth notes, ties, and the structure of pickup measures. They also practiced piano, with the Student playing Opus 599, No. 1, and beginning to analyze Opus 599, No. 3. Homework assignments include completing rhythm exercises in the workbook and practicing the new piano piece.

Understanding Beat Counting in 4/4 Time

Eighth Note Subdivisions: 'One and' Counting

Ties and Dotted Quarter Notes

Pickup Measures (Anacrusis)

Opus Numbers: Cataloging a Composer's Works

Piano Performance: Contrary Motion & Pattern Recognition

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Student learned 2 days ago

The Student and Tutor focused on piano technique and musical interpretation across two pieces: "365 number 47" and a Chopin Waltz. They concentrated on developing hand independence, expressive timing through varied hesitation, and refining pedaling techniques for clarity and historical authenticity. The Student was assigned to continue practicing these concepts, including exploring the B section of the "365" piece.

Achieving Clarity and Dignity in Waltz Performance

Historical Context of Waltz Pedaling

Developing Rhythmic Independence

Expressive Timing and Phrasing

Constructive Improvisation in Practice

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Student learned 3 days ago

The Student and Tutor reviewed basic piano concepts including finger numbering and types of musical motion (parallel and contrary). The primary focus was on foundational note-reading skills, covering clefs (treble and bass), identifying middle C and G, and understanding stepwise versus skipwise movement on the staff. The Student practiced reading left-hand notes from the piece "599 number one," and was assigned to independently read and practice the right-hand notes for the same piece as homework.

Navigating Notes: Steps and Skips

Piano Finger Numbering

Parallel and Contrary Motion

Understanding the Music Staff and Treble Clef

Note Identification with Home Notes (Middle G & Middle C)

Applying Note Reading to Practice Pieces (Opus 599 No. 1)

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Student learned 3 days ago

Student and Tutor worked on piano exercises, focusing on technical movements like 'doorknob' and 'rotating' motions to improve finger independence and fluidity. They also discussed strategies for metronome practice, chord analysis, and effective learning techniques from an external resource. The Student was assigned to continue practicing the first three exercises of Op. 802 with both hands, listen to the remaining pieces in book two, and prioritize completing book three of Op. 599.

Efficient Piano Technique: Doorknob Motion & Rotation (Opus 802)

The Science of Effective Piano Practice

Musical Interpretation of Etudes (Opus 299 No. 1)

Introduction to Secondary Functions & Diminished Chords

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Approach & tools used in piano classes

Metronome Apps image

Metronome Apps

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

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Ear Training Software

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Virtual Piano Apps

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Chord & Scale Reference Apps

Interactive piano lessons

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Open Q&A

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Chat for quick help

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Note taking

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Parent feedback

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Weekend lessons

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