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Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

4.8(32)

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Otha Lewis

Diploma degree

Enroll after the free trial

Each lesson is 55 min

50 lessons


20% off

/ lesson

30 lessons


15% off

/ lesson

20 lessons


10% off

/ lesson

10 lessons


5% off

/ lesson

5 lessons


-

/ lesson

1 lessons


-

/ lesson

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Chord Theory icon

Chord Theory

Performance Skills icon

Performance Skills

Pedaling Techniques icon

Pedaling Techniques

Piano Technique icon

Piano Technique

Piano Repertoire icon

Piano Repertoire

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Music theory icon

Music theory

Types of learners for piano lessons

Piano for Adults icon

Piano for Adults

Piano for Kids icon

Piano for Kids

Piano for Intermediate icon

Piano for Intermediate

Piano for Advanced icon

Piano for Advanced

Piano for Beginners icon

Piano for Beginners

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned 4 days ago

The student and tutor reviewed the student's progress on a piano piece, focusing on specific sections to refine phrasing, dynamics, and ornamentation. They worked on broadening the sound in the final section and discussed techniques for differentiating repeated sections. The student was encouraged to record themselves to better analyze their performance and identify areas for improvement.

Tapering Phrases and Smooth Fingering

Lingering and Accelerando in Phrasing

Embellishing Repeated Sections

Grace Notes and Turns

Layering and Broadness in Climaxes

Rushing and Delaying Hands for Expressiveness

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Student learned 4 days ago

The session reviewed music theory concepts such as tonic, dominant, relative minors, and inversions and applied these concepts to playing piano pieces. The Student practiced identifying chords and inversions in musical excerpts and adding bass lines based on tonic and dominant relationships. The assigned homework is to continue practicing the identified pieces using the techniques learned in the session and to complete score studies.

Chord Inversions

Tonic

Dominant

and Subdominant

Fingering and Technique Refinement

Basic Score Analysis: Identifying Tonic and Dominant

Relative vs. Parallel Minor Keys

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Student learned 8 days ago

The student played a piece in B major, and the Tutor provided detailed feedback on form, technique, and musical interpretation. They discussed the ABA structure, rounded binary form, the use of dynamics and tempo, and the concept of tenuto. The next session is planned to continue working on the piece, specifically focusing on the quieter sections.

Binary Form (Simple and Rounded)

Koda (Coda)

Musical Period (Contrasting)

Tempo and Interpretation

Dynamics and Expressiveness

Tenuto

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Student learned 10 days ago

The session covered music theory concepts including major and minor five-finger patterns, and the relationship between major and minor scales focusing on lowering the third. The student practiced identifying these patterns and analyzing a piece (Minuette number two) to understand its structure and key. The next steps include practicing the identified sections of the Minuette and continuing with theory exercises.

Identifying Key Signatures (Flats)

Applying Theory to Performance

Effective Practice Techniques

Minor Five-Finger Patterns

Major Five-Finger Patterns

Identifying Whole and Half Steps

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Student learned 10 days ago

The session covered music theory concepts, including major/minor keys, tonic, dominant, subdominant, and leading tones, with practical applications on the piano. The student analyzed chord progressions and practiced identifying them within musical pieces. Homework includes completing Unit 9 exercises and practicing specific techniques from Opus 599.

Major vs. Minor Key Recognition

Artistic Interpretation of Musical Pieces

Gissando Timing and Execution

Leading Tone

Dominant 7th Chords

Wrist Technique for Repeated Notes

Tonic

Dominant

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Student learned 17 days ago

The session involved a review of music theory concepts related to accidentals, half steps, and whole steps, along with practice and feedback on several piano pieces. The Student began learning a new piece in E major and was assigned exercises focusing on the E major pentascale and Alberti bass patterns. Plans were made to discuss the pieces and new exercises in the next session.

Accidentals: Sharps and Flats

Alberti Bass

Half Steps and Whole Steps

Substitution Fingerings

E Major Pentascale

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Approach & tools used in piano classes

Ear Training Software image

Ear Training Software

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

Metronome Apps image

Metronome Apps

Virtual Piano Apps image

Virtual Piano Apps

Interactive piano lessons

Open Q&A icon

Open Q&A

Weekend lessons icon

Weekend lessons

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Parent feedback

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Record lessons

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Chat for quick help

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Every tutor is interviewed and selected for subject expertise and teaching skill.