Otha Lewis
Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.




Show all photos
Otha Lewis
Diploma degree
/ 55 min
Otha - Your piano teacher
My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!
Otha graduated from Fresno City College

Your piano teacher skills
Music theory
Piano Repertoire
Scales and Arpeggios
Performance Skills
Sight Reading
Piano Technique
Chord Theory
AI modules
Summary
Podcast
Quiz
Learnings
Flashcard
Spotlight
Zero Risk Guaranteed
15-days refund
Free tutor swap
No cancel fee
1-yr validity
24/7 support
Types of learners for piano lessons
Piano for intermediate
Piano for adults
Piano for advanced
Piano for beginners
Piano for kids
Piano lessons at a glance
Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano

Piano concepts taught by Otha
Student and Tutor worked on Piano Piece #5, focusing on new right-hand movements, fingerings, and hand position shifts. They practiced specific techniques for transitions, including wrist pivoting and coordinated note releases. The Student was assigned to identify notes for the second part of Piece #5 and practice Piece #5 (right hand) and Opus 802, Number 3.
Adapting to Shifting Five-Finger Positions
The Critical Role of Fingerings
Moving Beyond the Five-Finger Position
Dynamic Hand & Wrist Movement
Sequential Finger Release for Smooth Transitions
The Student and Tutor engaged in a piano lesson, reviewing Opus 802, number 2, where they practiced identifying musical patterns, improved chord-playing technique, and reinforced note reading skills by identifying specific intervals. For follow-up, the Student was assigned to practice Opus 802, number 3 independently and complete a note-naming exercise for Opus 599, number 5, submitting a photo of their work.
Structured Practice & Progress Tracking
Balancing Fingering & Note Naming
Note Reading Strategy: G Line (Treble Clef)
Clean Chord Playing Technique
Simplifying Complex Musical Patterns
The Student and Tutor practiced various piano pieces, including Opus 802, No. 15, Opus 158, and a new piece from Opus 500, focusing on advanced fingering techniques, hand coordination, and musical interpretation. They discussed new practice strategies like breaking down sections into two-bar segments and efficient hand positioning. The next session will review Opus 299 and Opus 599, No. 22, with a plan to consolidate learned techniques for future studies.
Efficient Practice & Structural Analysis
Advanced Finger Technique & Tamber Control
Hand Positioning & Movement Economy
Rhythmic Independence & Musical Interpretation
The Student and Tutor focused on foundational piano theory, reviewing treble clef note identification, particularly the G line, and distinguishing between musical steps and skips. The Student practiced identifying and playing notes on the piano based on these concepts and began reading a piece, addressing a tendency to rely on finger numbers over note names. For homework, the Student will label steps, skips, and G notes within the practiced piece and prepare to combine both hands for the next session.
Practical Application: Analyzing a Piece
Reading Musical Direction (Ascending & Descending)
Differentiating Line and Space Notes
Understanding Steps and Skips
Treble Clef G Line Mastery
Student and Tutor engaged in a piano lesson, focusing on technical exercises from Opus 802 and Opus 599, as well as a ragtime piece. They practiced left-hand chord internalization, right-hand five-finger position, articulation, and rhythmic precision. The Student was assigned to continue practicing Opus 802 number 10, Opus 599 number 13, and the original ragtime piece, with an emphasis on individual hand practice and then combining them confidently for the B section.
Opus 802 Etudes: Slow Practice & Progression
Czerny Op. 599
No. 13: Left Hand Chord Internalization
Czerny Op. 599
No. 13: Right Hand Five-Finger Position
Original Rags: Left Hand Stride & Sectional Preparation
Original Rags: Right Hand Syncopation & Rhythmic Precision
The session focused on piano technique and repertoire. Student reviewed Czerny Etudes (Op. 365 and Op. 299) and was introduced to a new Czerny study plan focusing on specific opus numbers to develop comprehensive skills, starting with Op. 335, No. 1. They also worked on a Chopin Waltz, focusing on musicality and phrasing, with a plan to record pieces for upcoming exams by late November.
Deliberate Practice for Technical Mastery
Voicing and Left-Hand Technique in Etudes
Czerny's Comprehensive Etude System
Cultivating Independent Artistic Interpretation
Nuance in Tempo and Dynamic Markings
Expressive Phrasing and Rubato
Approach & tools used in piano classes
Metronome Apps
PDF Sheet Music Libraries
Virtual Piano Apps
Ear Training Software
Chord & Scale Reference Apps
Interactive piano lessons
Note taking
Open Q&A
Parent feedback
Chat for quick help
Record lessons

Piano teachers on Wiingy are vetted for quality
Every tutor is interviewed and selected for subject expertise and teaching skill.
