Otha Lewis
Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.




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Otha Lewis
Diploma degree
/ 55 min
Otha - Your piano teacher
My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!
Otha graduated from Fresno City College

Your piano teacher skills
Chord Theory
Scales and Arpeggios
Piano Technique
Piano Repertoire
Pedaling Techniques
Ear training
Performance Skills
AI modules
Summary
Podcast
Quiz
Learnings
Flashcard
Spotlight
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Types of learners for piano lessons
Piano for Intermediate
Piano for Adults
Piano for Advanced
Piano for Beginners
Piano for Kids
Piano lessons at a glance
Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.
Different types of piano lessons
Piano
Grand Piano
Digital Piano
Upright Piano
Classical Piano

Piano concepts taught by Otha
The session focused on piano technique and musical interpretation, primarily using pieces from Cherney's Opus 696 and Opus 500. Student and Tutor analyzed dynamics, pedaling, and phrasing in Number 4, and explored glissando techniques and climax identification in Number 5. For homework, the Student was assigned Number 7, encouraged to revisit earlier pieces, and to begin practicing scales from Opus 500, Part 1, for foundational skill development.
Redefining Tempo as Expressive Character
Nuanced Dynamics and Their "Kinds"
“Gardening the Score” – Personal Interpretation
Glissando (Rolling Chords) Techniques
Four-Part Chorale (SATB) Structure
Scales as the Foundation of Piano Mastery
The Student and Tutor reviewed several piano pieces, focusing on technical skills and musical understanding. They practiced a "trilling" technique using specific wrist motion, worked on pattern recognition and wrist rotation for improved sight-reading, and refined chord fingerings for smoother execution. The session concluded with an introduction to a new piece, emphasizing the identification and proper playing of musical intervals like thirds and sixths. The Student was assigned to continue practicing current pieces with repeats and to begin work on the A section of the new interval-focused piece.
Efficient Wrist Rocking for Repeated Notes
Recognizing Musical Patterns and Sequences
Mastering Wrist Rotation for Hand Sides
Introduction to Intervals (Thirds and Sixths)
Optimal Fingering for Chord Smoothness
Student and Tutor worked on Piano pieces from Opus 802, 599, and 239, focusing on improving hand coordination, practicing specific chord shapes and fingerings, and refining overall practice methods. The Tutor provided techniques for tackling challenging sections and discussed a structured approach to daily repetitions. Homework includes continued practice on Opus 802 exercises, applying new chord recognition methods to Opus 599 #10, and practicing the duet piece with chords on half notes.
Triad Chord Recognition & Simplified Fingering
Incremental & Repetitive Practice
Targeted Technical Drills for Hand Coordination
Developing Performance & Musical Character
Student and Tutor engaged in a piano lesson, focusing on technical aspects of a piece called "Gillet," including fingering adjustments, chord identification, and proper pedaling techniques. They also initiated new daily practice routines, starting with C major scales across the keyboard and triad inversion exercises to enhance technical proficiency.
Right-Hand Fingering Simplification (Gillett)
Left-Hand Chord Shapes and Corrections (Gillett)
Expressive Pedaling Technique
Daily C Major Scale Practice: Full Keyboard & Triad Inversions
Scales within a Key Signature (Modal Concept)
Student and Tutor worked on various piano exercises from Opus 599, 802, and 239, focusing on improving coordination, finger independence, and musicality. They practiced site reading, identifying musical patterns like parallel and contrary motion, and recognizing notes in both treble and bass clefs. Homework assigned included continuing practice on Opus 599, number 6 and 9, finishing Opus 802, number 2, and beginning Opus 802, number 3, along with an introduction to a Beethoven piece for future study.
Introducing Accidentals & Early Beethoven
Developing Musicality & Expressive Tone
Deconstructing and Practicing Sequences
Mastering Hand Coordination & Finger Gestures
Analyzing Musical Motion (Parallel & Contrary)
The session focused on foundational piano technique, starting with pronunciation and a discussion of ragtime music. The Student practiced five-finger exercises for hand independence and evenness, learning specific wrist and finger techniques. They also began analyzing Czerny Opus 599, Number 1, reviewing musical form, movement types (steps and skips), and rhythmic patterns, with a homework assignment to combine these elements for the piece's initial measures.
Fundamentals of Piano Posture & Technique
Rote Five-Finger Exercises: Patterns & Memory
Understanding Musical Form: Measures & Sections
Effective Fingering: Avoiding Substitution
Musical Movement: Steps
Skips & Rhythmic Perception
Approach & tools used in piano classes
PDF Sheet Music Libraries
Virtual Piano Apps
Metronome Apps
Ear Training Software
Chord & Scale Reference Apps
Interactive piano lessons
Open Q&A
Parent feedback
Record lessons
Weekend lessons
Note taking

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