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Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

4.8(32)

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Otha Lewis

Diploma degree

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Each lesson is 55 min

50 lessons


20% off

/ lesson

30 lessons


15% off

/ lesson

20 lessons


10% off

/ lesson

10 lessons


5% off

/ lesson

5 lessons


-

/ lesson

1 lessons


-

/ lesson

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Piano Repertoire icon

Piano Repertoire

Scales and Arpeggios icon

Scales and Arpeggios

Piano Technique icon

Piano Technique

Music theory icon

Music theory

Sight Reading icon

Sight Reading

Performance Skills icon

Performance Skills

Ear training icon

Ear training

Types of learners for piano lessons

Piano for Intermediate icon

Piano for Intermediate

Piano for Beginners icon

Piano for Beginners

Piano for Advanced icon

Piano for Advanced

Piano for Kids icon

Piano for Kids

Piano for Adults icon

Piano for Adults

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

keyLearning

Piano concepts taught by Otha

Student learned about 11 hours ago

The student played a piece in B major, and the Tutor provided detailed feedback on form, technique, and musical interpretation. They discussed the ABA structure, rounded binary form, the use of dynamics and tempo, and the concept of tenuto. The next session is planned to continue working on the piece, specifically focusing on the quieter sections.

Binary Form (Simple and Rounded)

Koda (Coda)

Musical Period (Contrasting)

Tempo and Interpretation

Dynamics and Expressiveness

Tenuto

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Student learned 3 days ago

The session covered music theory concepts including major and minor five-finger patterns, and the relationship between major and minor scales focusing on lowering the third. The student practiced identifying these patterns and analyzing a piece (Minuette number two) to understand its structure and key. The next steps include practicing the identified sections of the Minuette and continuing with theory exercises.

Applying Theory to Performance

Minor Five-Finger Patterns

Identifying Key Signatures (Flats)

Effective Practice Techniques

Major Five-Finger Patterns

Identifying Whole and Half Steps

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Student learned 3 days ago

The session covered music theory concepts, including major/minor keys, tonic, dominant, subdominant, and leading tones, with practical applications on the piano. The student analyzed chord progressions and practiced identifying them within musical pieces. Homework includes completing Unit 9 exercises and practicing specific techniques from Opus 599.

Major vs. Minor Key Recognition

Artistic Interpretation of Musical Pieces

Gissando Timing and Execution

Tonic

Dominant

and Subdominant (I

V

IV)

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Student learned 10 days ago

The session involved a review of music theory concepts related to accidentals, half steps, and whole steps, along with practice and feedback on several piano pieces. The Student began learning a new piece in E major and was assigned exercises focusing on the E major pentascale and Alberti bass patterns. Plans were made to discuss the pieces and new exercises in the next session.

Accidentals: Sharps and Flats

Alberti Bass

E Major Pentascale

Substitution Fingerings

Half Steps and Whole Steps

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Student learned 11 days ago

The Tutor and Student reviewed key signatures, relative minor keys, and melodic/natural minor scales. The Student practiced identifying key signatures and relative minors and was assigned to continue practicing Opus 802 scales and to highlight F#s in the minuette. The Tutor recommended focusing on lightness of touch in the student's playing.

Identifying Key Through Context

Key Signatures and the Circle of Fifths

Relative Minor Keys

Minor Scales: Natural and Melodic

Technical Practice: Identifying and Isolating Shapes

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Student learned 13 days ago

The class involved a review of music theory terminology related to phrase structures and analysis of musical scores to identify these structures in practice. The Student worked on applying rubato techniques and received a new piece to study, focusing on voicing and phrasing. Homework included score study and reading about binary form.

Symmetrical Period

Contrasting Period

Cadential Extension

Asymmetrical Period

Elision

Rubato Application

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Approach & tools used in piano classes

Ear Training Software image

Ear Training Software

PDF Sheet Music Libraries image

PDF Sheet Music Libraries

Chord & Scale Reference Apps image

Chord & Scale Reference Apps

Metronome Apps image

Metronome Apps

Virtual Piano Apps image

Virtual Piano Apps

Interactive piano lessons

Note taking icon

Note taking

Parent feedback icon

Parent feedback

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Chat for quick help

Open Q&A icon

Open Q&A

Weekend lessons icon

Weekend lessons

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