Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Ear training icon

Ear training

Rhythm and Timing icon

Rhythm and Timing

Piano Technique icon

Piano Technique

Piano Repertoire icon

Piano Repertoire

Scales and Arpeggios icon

Scales and Arpeggios

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Performance Skills

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Sight Reading

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Summary

Podcast

Quiz

Learnings

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Types of learners for piano lessons

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Piano for adults

Piano for intermediate icon

Piano for intermediate

Piano for kids icon

Piano for kids

Piano for beginners icon

Piano for beginners

Piano for advanced icon

Piano for advanced

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned about 15 hours ago

The Student and Tutor worked on advanced piano techniques and musical interpretation, focusing on complex fingerings, voicing, and rhythmic subdivision within a specific musical piece. The Tutor assigned practice on the first four measures of the A section of the piece and recommended listening to a curated playlist of ragtime composers for further study.

Understanding Triplets in Music

Voicing in Piano Music

Rhythmic Subdivision and Practice

Chord Shapes and Voicing Consistency

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Student learned 1 day ago

The student and tutor focused on piano practice strategies, specifically addressing challenges with technique, coordination, and tempo. They worked through exercises from various Opus numbers, identified difficult passages, and discussed the use of a metronome. The session concluded with the introduction of new material from Opus 500, emphasizing careful fingering and transition practice.

Fingerings and Contrary Motion

Tempo and Practice Strategies

Structured Practice and Piece Progression

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Student learned 2 days ago

The student and tutor worked extensively on advanced C scale patterns, focusing on precise fingering and articulation. They then transitioned to a specific musical piece, where the tutor provided feedback on challenging passages, fingering, tempo, and touch, with plans to continue refining the student's performance in these areas.

Navigating Complex Piano Fingerings

Articulation and Tone in Piano Playing

Deciphering and Executing Descending Piano Passages

Mastering Piano Jumps and Hand Rotations

Interpreting Tempo Markings in Modern Piano Music

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Student learned 5 days ago

The Tutor and Student worked on developing technical piano skills, focusing on Czerny exercises and metronome application. They discussed strategies for managing hand tension, improving fingering accuracy, and understanding rhythmic subdivisions. The next steps involve continued metronomic practice and focusing on specific technical challenges within the assigned pieces.

Metronome Tempo Interpretation

Fingering and Hand Independence

Progressive Practice Strategies

Articulation and Musical Expression

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Student learned 6 days ago

The student and tutor discussed the importance of different musical editions and their impact on performance. They then analyzed challenging tempo markings and explored advanced rhythmic concepts, including polyrhythms and the application of Whole Beat Metronome Practice for complex subdivisions. The student was tasked with practicing these concepts with a metronome.

Rhythmic Complexity and Metric Interpretation

The Importance of Musical Editions

Tempo Interpretation and Metronome Practice

Articulations and Voicing: The 'Leggiero' and 'Marcato' Distinction

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Student learned 7 days ago

The tutor and student reviewed piano exercises from Opus 802 and Opus 599, focusing on sight-reading, pattern recognition, and proper technique, including wrist and hand positioning. They began working on new material from Opus 599, number 19, and Opus 500, emphasizing the importance of careful reading and practicing challenging passages. The student was also reminded to listen to a provided playlist to develop their ear for musical phrasing.

Wrist and Elbow Movement for Hand Position

Extraneous Motion and Efficient Playing

Deceptive Positions and Fingerings

Phrase Structure in Music

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Approach & tools used in piano classes

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Virtual Piano Apps

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Chord & Scale Reference Apps

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Ear Training Software

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PDF Sheet Music Libraries

Metronome Apps image

Metronome Apps

Interactive piano lessons

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Weekend lessons

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Note taking

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Record lessons

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Parent feedback

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Open Q&A

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