Otha Lewis

Discover classical piano through personalized lessons that emphasize musical nuance and sound technique.

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Otha Lewis

Diploma degree

/ 55 min

Otha - Your piano teacher

My name is Otha Lewis, an American piano teacher of 7 years teaching students in both in personal and remote capacities. I hold an Associate's Degree in Piano Performance, soon graduating with a Bachelor's from California State University - Northridge. My approach to teaching ensures that students are an active participant in their learning not just at home in the practice room or executing the performance of a piece, but understanding and critically thinking about their intent, musicality, and process. I have learned that progress happens best when a student of any level has a well-rounded understanding of multiple musical facets: history, theory, ear training, rote, technique, creativity. Every student requires a unique approach, simultaneously tuned to their strengths and improving their weaknesses. Come join me in exploring the world of music! Let's grow together as musicians!

Otha graduated from Fresno City College

Otha graduated from Fresno City College

Your piano teacher skills

Piano Technique icon

Piano Technique

Performance Skills icon

Performance Skills

Chord Theory icon

Chord Theory

Pedaling Techniques icon

Pedaling Techniques

Finger Placement & Hand Position icon

Finger Placement & Hand Position

Rhythm and Timing icon

Rhythm and Timing

Ear training icon

Ear training

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Learnings

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Types of learners for piano lessons

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Piano for intermediate

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Piano for adults

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Piano for advanced

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Piano for beginners

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Piano for kids

Piano lessons at a glance

Anyone can read a method book and attempt to apply it. I did so for 17 years before I ever sat in front of a piano teacher, internalizing the good and the bad that comes without a guide or professional direction. Of the good comes my approach to teaching, relating back to the steps I took to learn by repetition and rote, and further developing upon such a foundation with the invaluable information and practice I continue to received in my college education. Not only must a student graduate from levels of piano playing through any number of methods to evaluate progress, they must do so with a thorough comfort in multiple levels of execution. Here, I separate my approach from other teachers, favoring constructive methods of the 19th century to supplement the modern pedagogical practice. My curriculum has served over 50 students, tailored to suit students of all levels and ages, and aims to remain as open as a possible to develop supplementary material as needed, composing exercises for a specific need if warranted.

Different types of piano lessons

Piano

Piano

Grand Piano

Grand Piano

Digital Piano

Digital Piano

Upright Piano

Upright Piano

Classical Piano

Classical Piano

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Piano concepts taught by Otha

Student learned 1 day ago

The Student and Tutor recalibrated the Student's piano practice routine. They introduced Carl Czerny's Opus 802, focusing on five-finger exercises and pattern description, and began working on a piece from Czerny's Opus 500, analyzing sequences and hand positions. The Student was advised to practice specific patterns from Opus 802 five times daily and will receive new editions for Opus 802 and Opus 500 as homework.

Repetition: Forging Foundational Technique

Proactive Approach to the Intermediate Plateau

Understanding Relative Hand Motion: Parallel & Contrary

Opus 500: Longer Pieces

Flexible Positions & Sequences

Precision in the 'Baton Pass' Hand-Off

Describing Musical Patterns: Beyond Notes

Daily Foundational Practice Triad

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Student learned 2 days ago

The Student and Tutor reviewed piano practice progress, focusing on five-finger exercises and chord development. They discussed optimal finger placement and established a structured daily practice routine for exercises from Opus 802. The session also covered technical points for Opus 599 and introduced new descending exercises from Opus 500, with an emphasis on rhythm and fingering. The Student was encouraged to continue assigned pieces and explore Opus 139 for advanced sight-reading.

Structured 5-Finger Pattern Practice

Daily Practice Discipline & Strategy

Optimizing Hand Position for Black Keys

Developing Internal Rhythm and Timing

Navigating Archaic Fingering Notation

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Student learned 3 days ago

The Student and Tutor addressed technical issues before reviewing the Student's progress on piano exercises #5 and #10 from Opus 599. They practiced C major scales with a focus on efficient hand setting and wrist technique, and explored C major chord inversions with specific fingerings. The Student was assigned to continue practicing these exercises, progress to Opus 599 #11, and begin a new piece, 'Original Rags', next week.

C Major Scale: Refined Wrist & Thumb Technique

Practical Chord Shapes: Pinch & Gap

Practical C Major Chord Inversions & Fingering

Hand Setting & Efficient Movement

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Student learned 5 days ago

Student and Tutor worked on advanced piano technique, focusing on smooth thumb passage in scales and octaves, and applying these to challenging sections of Opus 299. They also began working on Beethoven's Pathetique Sonata (Adagio Cantabile), discussing tempo and interpretation, and revisited a Chopin short piece with an emphasis on deliberate chord placement. The Tutor assigned practicing at slower tempos for Beethoven, isolating melodic lines, and continued intellectual practice for the Chopin piece.

Czerny's Thumb Passage Technique

Isolated Practice for Technical Events

Achieving Smooth Chord Transitions (Phrasing Study)

Interpreting Adagio in Beethoven

Dynamic Hand Movement for Octaves and Scales

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Student learned 6 days ago

Student and Tutor discussed classical piano music, including concert experiences, musical influences, and effective practice strategies. They reviewed the student's progress on Opus 239 Primo and Opus 802 exercises, focusing on key signatures, accidentals, and specialized fingerings. The Student was assigned to revisit previous exercises in new keys, work on Opus 802, No. 8, practice hands separately, and utilize the IMSLP app for scores and metronome functions.

Navigating Alternate Fingerings and Editorial Editions

Key Signatures and Accidental Identification

Adapting the Five-Finger Position for Complex Keys

Systematic Practice of Previous Exercises in New Keys

Accidental Rules in Measures

Developing Hand Independence with Repetitive Baselines

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Student learned 7 days ago

The Student and Tutor focused on foundational piano techniques. They covered keyboard layout, note identification, finger numbering, and practiced a series of right-hand exercises involving stepwise motion and repeated notes. The session also introduced the first musical piece, an etude by Czerny, and discussed ergonomic posture, necessary equipment, and upcoming practice routines including listening to classical music.

Basic Musical Motion: Steps & Skips

Foundational Piano Technique: "Quiet Hand" & Repetition

Carl Czerny's Pedagogical Approach & First Piece (Opus 823)

Right Hand Fingering System

Keyboard Navigation & Note Identification

Optimal Piano Posture & Ergonomics

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Approach & tools used in piano classes

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Metronome Apps

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Virtual Piano Apps

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Ear Training Software

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Chord & Scale Reference Apps

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PDF Sheet Music Libraries

Interactive piano lessons

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Chat for quick help

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Weekend lessons

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Parent feedback

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Record lessons

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Open Q&A

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