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MVH worked with Kristyn on improving her singing technique, focusing on adding emotion and energy to her performances of "Let Me Love You," "No Air," and "Get Out." Kristyn practiced differentiating her vocal performance and incorporating riffs. They agreed that Kristyn should practice "No Air" and "Tattoo" by Jordan Sparks for the next session.

Katedra worked with MVH on vocal exercises, specifically targeting the access and transition to falsetto to enhance her singing. During their lesson, they analyzed MVH's rendition of "Real Love," pinpointing areas where she could improve her higher notes. Katedra's assignment for their next lesson involved learning the lyrics to Usher's "You Got It Bad."

Kristyn Bell received vocal coaching from MVH, working on songs like "Everywhere" by Michelle Branch and "I Don't Want to Miss a Thing" by Aerosmith. They addressed vocal control, transitions between vocal registers, and rhythmic accuracy. They also discussed scheduling future lessons, considering MVH's upcoming musical and rap show commitments, and agreed to focus on "I Don't Want to Miss a Thing" and "Let Me Love You" in the next session.

MVH recently guided Myles Lam through a vocal lesson, focusing on singing techniques to alleviate throat tension and improve harmonizing while performing "Dock of the Bay." The lesson also covered vowel placement, breathing exercises, and refining the song's bridge for a more soulful delivery. They concluded by discussing future lesson scheduling, taking into account Myles's upcoming musical and rap show.

MVH worked with Kristyn Bell on vocal exercises and refining her rendition of Michelle Branch's "Everywhere." Kristyn focused on achieving the correct pitch and intonation, particularly on the line "Cuz you're everywhere to me," with MVH providing targeted feedback. They plan to continue practicing the song in the next session.

On July 27, 2025, MVH coached Myles Lam on singing techniques, using "Sitting on the Dock of the Bay" as a case study. The session covered cyclical practice, applying the scientific method to singing, developing a unique style through riff incorporation and improvisation, harmony practice (including independent work and finding harmonies using music theory), and specific vocal techniques like breath control and consistent air distribution. MVH emphasized daily self-correction and focused on improving specific elements of the song, particularly the "wasting time" riff and the bridge.